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Paramount Board Approves Exit From California if Deal With State Isn’t Reached by October 1

David Ellison has given his Paramount leadership team a stark ultimatum over the company’s legal battle with California regulators and the proposed $110 billion Warner Bros. merger.

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Ken Russell’s ‘The Devils’ Gets NC-17 Rating for Uncut 4K Restoration Coming to Theaters

Clockwork announced that “The Devils” has been rated NC-17 by the MPA, which, as far as I’m concerned, is basically free marketing. Much of the audience anticipating this release was hoping for this rating.

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First Look: Andrew Haigh’s ‘A Long Winter’ to Screen at Telluride, TIFF and NYFF — Follow-Up to ‘All of Us Strangers’

For Haigh, the film feels like an “endpoint” in his career so far. Shot on film with DP André Turpin, “A Long Winter” was filmed in the Calgary wilderness, the same area used for “The Revenant.”

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Jacob Elordi Joins Ari Aster’s ‘Scapegoat’ Opposite Scarlett Johansson at A24

Jacob Elordi is set to co-star opposite Scarlett Johansson in “Scapegoat,” the upcoming thriller from Ari Aster, who is directing from his own script. A24, which has released his past four films, will distribute.

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Alfonso Cuarón Returns to TV With Horror Thriller ‘Ascension’ at Apple — Hasn’t Directed A Movie in Eight Years

The good news is that Cuarón is only writing “Ascension,” meaning he won’t be tied up with directing duties and should still have room in his schedule for a long-awaited return to cinema.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Christopher Nolan on Initial Mixed Reviews For ‘Interstellar’: “Critics Weren’t Ready for The Film”

February 11, 2026 Jordan Ruimy

Christopher Nolan’s “Interstellar” was not met with raves when it came out in 2014 — earning only 73% on Rotten Tomatoes — but its stock has risen considerably over the past 12 years, and many now consider it one of, if not the best, film Nolan has ever made. A glance at the IMDb Top 250 shows “Interstellar” boasting an impressive 8.6 rating, good enough for 25th place on the site’s all-time list.

Two years ago, a poll of more than 5,000 Nolan fans named “Interstellar” the filmmaker’s best film. Yet critics still aren’t budging; a Nolan critics poll conducted over a year ago had “Interstellar” finishing at No. 7.

At a recent Q&A, Nolan admitted the mixed response to the film’s release took him aback and suggested that perhaps audiences just weren’t ready for it (via Variety)

You’re trying to be polite. The film was received in a slightly ambiguous way. It was a little bit sniffy. Some of the responses were a bit sniffy from critics and a little from audiences. It made very good money around the world. There was a sense of people not quite being… it sounds egotistical to say they weren’t ready… but [critics] weren’t ready for it from me.

Nolan said it was “an incredible relief and a humbling experience” when “Interstellar” became a box office success despite receiving mixed reviews. He added that the film “seems to touch people more and more each year and continues to grow” in its impact.

“When you make a film on that scale… every screening we did as we were finishing the film, there would be somebody who would be in tears and deeply moved by it. That’s enough,” Nolan said. “You can’t also ask the culture to immediately embrace something. It’s asking too much in a way. If you talk to individuals who’ve connected with the film in a really profound way, then you know it’s there. You’ve done your job. The rest is about the zeitgeist and where you fit in with it.”

Nolan also noted that these days, the film most fans mention to him in person is no longer “The Dark Knight,” as used to be the case, but rather “Interstellar.”

“For years, people would recognize me somewhere and talk about ‘Dark Knight,’” Nolan explained. “But over the last 10 years it’s become ‘Interstellar.’ It’s a wonderful thing. We re-released it two years ago and it made $5M. It’s amazing the success it’s had. It’s incredibly rewarding.”

I’ll have to side with Nolan on this one. I was impressed by “Interstellar” the minute I saw it — it’s a flawed but incredibly ambitious film, with absolutely jaw-dropping sequences spread throughout its nearly three-hour runtime, especially in its final stretch. I’m thinking particularly of the moment when McConaughey’s Cooper falls into a black hole that allows him to travel through time and space.

← ‘F1’ Sequel Officially Greenlit by AppleDustin Hoffman Joins Adam Sandler in Scott Cooper’s ‘Time Out’ →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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