• Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_1777.jpeg
Alma Har’el’s ‘Wet’ Acquired by Lionsgate: Starring Javier Bardem, Rebecca Ferguson, Connor Storrie, Odessa A’zion and Rosalia

It’s been seven years since Alma Har’el’s feature debut, “Honey Boy,” which was written by and starred Shia LaBeouf — she is now set to direct her next film, with a very talented cast.

Read more →
IMG_1774.jpeg
Quentin Tarantino Fired Isabelle Huppert From ‘Inglourious Basterds' for Skipping the Table Read

Imagine firing Isabelle Huppert from your movie. One of the great actresses of all time, the woman behind "The Piano Teacher," "La Cérémonie" and "Elle," dropped because she missed a table read.

Read more →
IMG_1755.jpeg
Park Chan-wook Says ‘The Brigands of Rattlecreek' is “Very Violent” and the “Most Brutal” Film He's Ever Made

Are we really that surprised? The original draft was written by S. Craig Zahler, the guy behind "Bone Tomahawk," "Brawl in Cell Block 99" and "Dragged Across Concrete."

Read more →
IMG_1746.jpeg
Francis Lawrence Calls James Gunn “An Impediment” to ‘Constantine 2,’ Says He's “More Hopeful" Now That They're Gone

James Gunn wrote on Instagram this week that he was "incredibly relieved" to be out at DC Studios. Turns out he's not the only one.

Read more →
IMG_1743.jpeg
Jim Caviezel Was “Heartbroken” When Mel Gibson Recast Jesus in ‘The Resurrection of the Christ'

For 20 years, the assumption was that whenever Mel Gibson got his "Passion of the Christ" sequel off the ground, Jim Caviezel would be front and center.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Yearly Top Tens
  • Interviews

David Ellison Isn’t Giving Up — Paramount Adds $650M Per Quarter to Warner Bros Hostile Bid

February 10, 2026 Jordan Ruimy

You’ve got to hand it to Paramount/Skydance CEO David Ellison: he refuses to take no for an answer. The man is relentless—accustomed to getting what he wants—so Warner Bros.’ repeated rejections, eight and counting, must sting.

Yes, just when it looked like Netflix had Warner Bros. in the bag—pending, of course, a thorough DOJ inspection—Ellison has just sweetened his hostile bid for Warner Bros. Discovery with new financial guarantees, pressing shareholders to reject the Netflix deal.

Paramount is now saying it will add an incremental 25 cents per share in cash to WBD holders for every quarter the acquisition doesn’t close after Dec. 31, 2026—that’s roughly $650M per quarter in total value. It also pledged to cover the $2.8 billion termination fee owed to Netflix if WBD shareholders accept Paramount’s $30-per-share all-cash offer in full.

Despite eight prior rejections, Ellison framed the enhanced proposal as proof of Paramount’s “unwavering commitment” to delivering superior and more certain value than Netflix’s $27.75-per-share deal for Warner Bros.’ studios and HBO Max.

Paramount also says it’s making progress on regulatory approvals, having complied with the DOJ’s Second Request and secured foreign investment clearance in Germany. This comes nearly a month after Ellison sued Warner Bros. Discovery to force disclosure, followed by a tour of European lawmakers aimed at slowing or blocking approval of the Netflix transaction.

And look—I get why Warner Bros. Discovery remains wary of Paramount’s bid, even though it’s clearly higher than Netflix’s. The WBD board views the Netflix deal as more certain, less risky, and better aligned with its strategy: the execution risk is more minimal. The only real obstacle for them is the DOJ railroading the entire thing.

Paramount’s offer, while richer on paper, could leave WBD exposed if the deal collapses. That said, what Ellison is putting on the table now isn’t trivial—it’s a substantial amount of money, much of it in cash. At some point, WBD has to weigh how much value it’s leaving behind and ask whether the risk of saying no to Ellison is worth walking away from all that extra cash.

← Report: ‘Avatar: Fire and Ash’ Struggling to Break Even? Hit $1.4B Mark, But Has Yet to Make A Profit‘Sandiwara’: Sean Baker’s 11-Minute Short Film With Michelle Yeoh Has A Trailer — Shot on an iPhone →

FOLLOW US!

Newsletter Block
This newsletter signup form needs a storage option. Edit the block and enter a storage location via the Storage tab.

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_1593.jpeg
Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

Read more →
IMG_1581.jpeg
James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

Read more →
IMG_1467.jpeg
Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

Read more →
IMG_1454.webp
Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026