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Jonah Hill's ‘Cut Off' Heads Into Reshoots After Being Deemed “Unwatchable” and “Unreleasable”

Hill, coming off the miserable reviews for this year's “Outcome,” now has yet another film destined for a long delay. This time, it's “Cut Off,” his third directorial effort, which was set to hit theaters this July

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Adam Driver Is in ‘Heat 2,’ Stephen Graham Confirms

Driver will play Otis Wardell, the central villain, psychopathic criminal who operates primarily in Chicago. The character’s presence ties together the prequel and sequel halves of the book’s structure.

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‘Blade’ Director on What Marvel Tells Directors: “This Is a Marvel Movie Directed by a Person”

According to Tariq, Marvel is upfront about it. They tell you, politely, that what you're making is "a Marvel film directed by a person .. They crop your shots. They change things.”

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Kristen Stewart Reunites with Olivier Assayas for ‘Spiritual World'; Vicky Krieps, Riley Keough & Wagner Moura Also Aboard

Stewart and Assayas previously collaborated on 2014's "Clouds of Sils Maria," which won her a César, and 2016's "Personal Shopper," which earned Assayas Best Director at Cannes.

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Robert Eggers Wants a “Break" From Horror, So He's Making ‘Romeo & Juliet'

At a post-trailer Q&A for “Werwulf,” which opens Christmas Day, Eggers explained why his next movie is Shakespeare’s teen tragedy rather than another gloomy medieval tale.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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David Ellison Isn’t Giving Up — Paramount Adds $650M Per Quarter to Warner Bros Hostile Bid

February 10, 2026 Jordan Ruimy

You’ve got to hand it to Paramount/Skydance CEO David Ellison: he refuses to take no for an answer. The man is relentless—accustomed to getting what he wants—so Warner Bros.’ repeated rejections, eight and counting, must sting.

Yes, just when it looked like Netflix had Warner Bros. in the bag—pending, of course, a thorough DOJ inspection—Ellison has just sweetened his hostile bid for Warner Bros. Discovery with new financial guarantees, pressing shareholders to reject the Netflix deal.

Paramount is now saying it will add an incremental 25 cents per share in cash to WBD holders for every quarter the acquisition doesn’t close after Dec. 31, 2026—that’s roughly $650M per quarter in total value. It also pledged to cover the $2.8 billion termination fee owed to Netflix if WBD shareholders accept Paramount’s $30-per-share all-cash offer in full.

Despite eight prior rejections, Ellison framed the enhanced proposal as proof of Paramount’s “unwavering commitment” to delivering superior and more certain value than Netflix’s $27.75-per-share deal for Warner Bros.’ studios and HBO Max.

Paramount also says it’s making progress on regulatory approvals, having complied with the DOJ’s Second Request and secured foreign investment clearance in Germany. This comes nearly a month after Ellison sued Warner Bros. Discovery to force disclosure, followed by a tour of European lawmakers aimed at slowing or blocking approval of the Netflix transaction.

And look—I get why Warner Bros. Discovery remains wary of Paramount’s bid, even though it’s clearly higher than Netflix’s. The WBD board views the Netflix deal as more certain, less risky, and better aligned with its strategy: the execution risk is more minimal. The only real obstacle for them is the DOJ railroading the entire thing.

Paramount’s offer, while richer on paper, could leave WBD exposed if the deal collapses. That said, what Ellison is putting on the table now isn’t trivial—it’s a substantial amount of money, much of it in cash. At some point, WBD has to weigh how much value it’s leaving behind and ask whether the risk of saying no to Ellison is worth walking away from all that extra cash.

← Report: ‘Avatar: Fire and Ash’ Struggling to Break Even? Hit $1.4B Mark, But Has Yet to Make A Profit‘Sandiwara’: Sean Baker’s 11-Minute Short Film With Michelle Yeoh Has A Trailer — Shot on an iPhone →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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