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Lars Von Trier Has Almost Completed the Screenplay For His Final Film

Lars Von Trier is working on the 15th—and likely final—film of his career, “After,” and according to his producer, Peter Aalbæk Jensen, the screenplay is supposed to be completed this month

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

Gibson isn’t shooting the sequels in Aramaic and Latin. They’re in English. He now explains the decision, saying the material became too complicated to ask audiences to process through subtitles.

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David Ellison Ready to Sign Three-Year Deal Promising 30 Paramount/Warner Bros. Movies a Year in Theaters

Paramount/Skydance’s David Ellison is making a big promise to theater owners as he tries to get that proposed $110 billion Warner Bros. Discovery deal across the finish line.

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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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Confirmed: ‘Digger’ Runtime is Actually 2 Hours 8 Minutes

Iñárritu is certainly one to indulge. His last film, “Bardo,” ran 159 minutes, while “The Revenant” was 156 minutes, “Biutiful” 148 minutes, “Babel” 143 minutes, and “Amores Perros” 154 minutes.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Report: ‘Avatar: Fire and Ash’ Struggling to Break Even? Hit $1.4B Mark, But Has Yet to Make A Profit

February 10, 2026 Jordan Ruimy

A Variety piece about “Avatar: Fire and Ash” mirrors a recent conversation I had with a colleague about the future of the franchise.

First off, the numbers. The film has earned $390M domestically, whereas the last one, ‘The Way of Water,’ earned $688M. That’s a noticeable dip. The worldwide tally sits at $1.43 billion, compared with its predecessor’s astounding $2.2 billion.

This shouldn’t take away from the fact that ‘Fire and Ash’ still earned well over $1 billion, but Variety notes that Disney spent $500M+ to produce and market the film. Add in theatrical exhibitors taking half the box office receipts, and the film isn’t as profitable as its earnings might suggest.

Furthermore, and most intriguingly, the trade cites a quote from Cameron in which he describes his Avatar movies as the “worst business case in movie history,” noting that their break-even points tend to roughly be $1.5 billion. Taking his word for it, this means that ‘Fire and Ash’ has yet to break even, though it “will recoup costs” whenever it hits Disney+ and other avenues.

Disney had initially committed to two more Avatar installments, slated for 2029 and 2031, but the studio doesn’t have any contractual obligation to proceed with them.

The question now is: given the franchise is clearly slipping in popularity—with ‘Fire and Ash’ earning $900M less than its predecessor—is it wise to invest another $500M if the trajectory is downward?

So why was ‘Fire and Ash’ less successful? Some might argue that the 197-minute runtime was too much, and that the film struggled to distinguish itself from its predecessor, echoing familiar story beats without delivering the technological leaps that made the first two cinematic events. Industry observers also point to the unusually short turnaround between the films—just three years—contrasting sharply with the decade-plus gap that preceded previous sequels.

If ‘Avatar 4’ comes to pass in 2029, it would only be four years after ‘Fire and Ash,’ which may not allow enough time for the franchise to breathe and for audiences to rebuild excitement. It certainly doesn’t help that Cameron would turn 75 by then, and with the clock ticking, he might not get to pursue some of his other passion projects.

The only possible solution I see is for Cameron to scale down the budget for ‘Avatar 4,’something he has already acknowledged. But can these movies actually be made more cheaply and still maintain technological credibility? That remains the million-dollar question.

← ‘In A Violent Nature 2’ Has Been Shot — 2026 Release in the Works?David Ellison Isn’t Giving Up — Paramount Adds $650M Per Quarter to Warner Bros Hostile Bid →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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