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Anthony Mackie Says His Sam Wilson “Deserves" a ‘Captain America' Trilogy

"I think every character deserves a second film," Mackie said. "I think with Cap, it's been proven every character deserves three films, right? I mean, if you're Thor, you get four, apparently."

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Fincher's ‘Cliff Booth' Screens in L.A.: “Tarantino on Speed," and Elizabeth Debicki Steals the Show

A source over at HE calls it "a violent madcap comedy that plays like a love letter to Los Angeles of the late '70s" and described the era as "ten years after, post Star Wars, creeping disco and even creepier corporatism."

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Danny Boyle on ‘28 Years Later: Part III': “We Gotta Raise the Money for It"

Garland's script is written. Boyle called it "fantastic" in that same interview, Murphy says he's ready, and Boyle wants to direct. All that's missing is the money.

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Noah Baumbach's ‘Jay Kelly' Joins Criterion Collection; February Slate Includes ‘The Sweet Hereafter,’ and ‘Kung Fu Hustle’

Noah Baumbach's “Jay Kelly” is joining the Criterion Collection on February 16, 2027. It's one of the headliners of the newly announced February slate, and it's coming out barely a year after Netflix released it.

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Box Office: Johnny Depp's ‘Ebenezer' Leads ($21M+), Audiences Love It More Than Critics Do; ‘How to Rob a Bank' Bombs ($4M+), ‘Godzilla Minus Zero’ Drops 75%

The film opened in Europe on Wednesday, and the audience scores there have been very strong. Now American audiences agree: an "A-" on CinemaScore and a 90% audience score on Rotten Tomatoes.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Obsession’ Submitted as a “Comedy” at the Golden Globes

October 1, 2026 Jordan Ruimy

Here's THR reporting that Focus is submitting Curry Barker's horror breakout "Obsession" in the Musical/Comedy categories at the Golden Globes. Some expected a Drama push, but its studio will try to convince voters it plays like a comedy.

Of course, Inde Navarrette's unhinged Nikki has spawned plenty of memes, so there's a case to be made. There's also precedent. Over the past few years, "Get Out," "The Banshees of Inisherin," "Poor Things," "The Substance" and "Bugonia" all went the comedy route.

Is "Obsession" actually funny? Sort of. It's uncomfortably funny. My theater was laughing during the steering-wheel face smash, but was that out of shock or because of how ludicrous the scene plays? It's an unnerving film, and a few jokes don't make it a comedy. Then again, if you have to choose between Drama and Comedy, this isn't a Drama. That's the Globes' problem, not Focus'.

At this point, the system is broken. Either a Best Genre Film category gets created, or Comedy/Musical gets renamed Best Non-Drama.

If anything, this is Focus attempting to dodge "The Odyssey" in Drama. Instead, Barker's film will go up against "Wild Horse Nine," "The Debut" and "Project Hail Mary." As for Navarrette, she'll now run up against Julianne Moore ("The Debut"), who is coming off rave reviews out of Telluride and TIFF.

The upside here goes beyond Navarrette. Comedy/Musical is a much softer field, which gives "Obsession" a real shot at a Best Picture nomination. Johnston could also sneak into lead actor, something that would never happen against the Drama heavyweights. Even one or two nominations would keep "Obsession" in the conversation heading into Oscar season, and that's the whole point of this move.

Smart category placement, a silly category name, and the same old argument.

← John Davidson Will Watch the BAFTA Scotland Awards From a Separate Room After “N-Word” IncidentBen Affleck Says ‘Animals' Used “Lots of AI," But He Won't Tell You Where →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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