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‘Onslaught’ First Reactions: Adam Wingard’s A24 Action-Horror Gets Mixed Response

Above is our first look at Dan Stevens playing a mad German scientist in “Onslaught,” most likely the man responsible for creating the film’s “soldiers” gone wrong.

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Adèle Exarchopoulos Joins Zoë Kravitz in Megan Park’s ‘Die Alive’ for Apple

Exarchopoulos will of course forever be known for her lead turn opposite Léa Seydoux in Abdellatif Kechiche’s Palme d’Or winner “Blue Is the Warmest Color,” released in 2013.

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‘The Odyssey’ Is Now the Biggest R-Rated Movie of All-Time — Hits $1.34 Billion

“The Odyssey” hit the $1.34 billion milestone today, making it the highest-grossing R-rated movie of all time. It has now surpassed 2024’s “Deadpool & Wolverine,” which finished with $1.33 billion worldwide.

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‘Heat 2’: Eiza González and Odessa Young in the Mix — Inde Navarrette in Smaller Role?

González is in consideration for the role of Elisa, while Young is being considered for the role of Charlene,. Navarrette would be downgraded to a much smaller role as Gabriella.

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Venice Chief Defends ‘DAU’ After Ukraine Condemns Russian Film’s Competition Slot

The condemned film is Ilya Khrzhanovsky’s “DAU,” which will compete for the Golden Lion next month. The 3h15-minute film follows the release of “DAU. Natasha,” which won the Silver Bear in Berlin in 2020.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Box Office: ‘The Housemaid’ Defies Expectations with 0% Drop, $16M Weekend; ‘Avatar: Fire and Ash’ Crosses Billion-Dollar Mark with $40M

January 3, 2026 Jordan Ruimy

Some takeaways from the Friday numbers at the box office, which see numerous hits forming. A great start to 2026.

“Avatar: Fire and Ash,” which just surpassed the $1 billion mark, nabbed $14M on Friday and is projected to have a $40M weekend — just a 39% drop from last week. In the process, James Cameron has become the first director to helm four consecutive films that crossed the billion-dollar mark.

Current projections have the run ending anywhere between $1.5–$1.8 billion, which should be seen as an immense success in this day and age, despite falling well short of the $2.3 billion that “The Way of Water” accumulated in 2022/2023. Yes, the audience is shrinking for these “Avatar” movies, but there’s still a massive number of ticket buyers willing to pay their hard-earned money for James Cameron’s Pandora-set fantasies.

Meanwhile, “Zootopia 2” surprised many by climbing up the charts and returning to the top two. Being the main attraction for family-friendly entertainment this holiday season means it has taken up the mantle, now eyeing a $22M weekend in its sixth week of release. It is set to surpass the $600M mark in China this weekend and will be at $365M+ domestic. Its worldwide total is expected to reach $1.6 billion by next week.

And now, how about “The Housemaid”? What a sleeper hit this one has become. Budgeted at $35M, Paul Feig’s trashy thriller, starring Amanda Seyfried and Sydney Sweeney, is set not to dip at all in its third weekend. No, really — it earned $15M last weekend, and it’s set to earn $15M, maybe more, by late Sunday. An unbelievable hold that further proves just how powerful word of mouth was on BookTok, which has been hyping up the film and novel for weeks now.

It does help that the film is “good,” and I do need to put that in quotation marks, since what “The Housemaid” really is is utterly watchable, pulp-ish trash done right. The film is set to hit $100M worldwide by Sunday.

Finally, we have “Marty Supreme,” which the trades keep reporting cost $70M to produce — nonsense; its budget was $90M, and I heard that from several strong sources. Regardless, it’s looking at a $14M weekend after a $4.7M Friday. The film will hit $60M by Monday, if not earlier — oh, and it has yet to open in any international markets, which bodes very well for its final tally. Might we be looking at $200M worldwide? Maybe.

All in all, this has been a very promising start to 2026. Next week sees the release of two wide titles: “Greenland 2: Migration,” and “Primate” — not the buzziest titles, but sleeper hits sometimes happen in January, and even if they don’t, ‘Avatar’ has a history of picking up the slack.

← ‘One Battle After Another’ Becomes Just the Fourth Film in History to Sweep NYFCC, LAFCA, NBR, and NSFCJ.J. Abrams Sets ‘The Great Beyond’ as Title for His Upcoming Warner Bros. Fantasy →

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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‘Wild Horse Nine’ Reaction Hints at Major 2026 Oscar Contender

McDonagh’s last film was ‘The Banshees of Inisherin,’ released in 2022, which received nine Oscar nominations. His other works include “In Bruges,” and “Three Billboards Outside Ebbing, Missouri.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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