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‘River': Horror Movie Sells to Universal and Blumhouse for $10M+ TIFF 2026’s First Big Deal

Still no distributor for "Bucking Fastard," "Alpha Gang," "The Last Photograph," "Closing Night," and "The Life and Deaths of Wilson Shedd." The issue seems to be quality more than a lack of willingness to buy.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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‘Minotaur' Trailer: Andrey Zvyagintsev's Cannes Grand Prix Winner Gets November Release from MUBI

"Minotaur" won the Grand Prix at Cannes. A two-time Oscar nominee who already has the Golden Lion for "The Return," Best Screenplay at Cannes for "Leviathan," and the Jury Prize in 2017 for "Loveless.

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‘Cosmic Motors,' John Lasseter's First Film in 15 Years, Moves from Netflix to Paramount Theatrical Release

Netflix and Skydance Animation have also called it quits. The two sides announced Monday that they're ending the animated film deal struck back in 2023, framing it as a mutual decision.

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Edward Berger’s Lance Armstrong Biopic, Starring Austin Butler, Starts Production in January

Edward Berger seems to have settled on what comes next. His Lance Armstrong biopic, starring Austin Butler, is now holding casting calls, with production eyed for January.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Steven Spielberg Tried to Direct ‘Call of Duty’ Movie, but Paramount Declined His Pitch

September 5, 2025 Jordan Ruimy

Paramount has confirmed what Puck’s Matt Belloni reported last week: a “Call of Duty” movie is officially in development through a new deal with Activision. No director or creative talent is attached yet.

According to three sources, via Puck, Steven Spielberg himself pushed to direct the adaptation. His Amblin partners pitched Activision on Spielberg’s vision for bringing the blockbuster gaming franchise to the big screen. Spielberg, who’s known to be a passionate gamer and a fan of CoD, was all-in.

The problem? The “Spielberg Deal.” That means top-of-market pay, final cut, and full creative and marketing control. Activision — now under Microsoft — wasn’t willing to cede that much power. Instead, they leaned toward David Ellison’s pitch, which gave the company far more oversight of the process.

So Spielberg’s dream of making “Call of Duty” died that day. Now, all eyes are on Paramount to see who they’ll hand the directorial reins to on one of gaming’s most lucrative IPs.

Spielberg recently shot his mysterious sci-fi film, starring Emily Blunt, for Universal, it’s either called “The Dish” or “Disclosure,” both titles have been circulating as possibilities. Other than that one, he has a Frank Bullitt movie in development with Bradley Cooper to star.

For Activision and Paramount, the potential video game adaptstion is too massive to risk on Spielberg. Call of Duty is one of the most successful video game franchises ever, having sold more than 400 million copies worldwide since 2003. Known for its cinematic first-person shooter campaigns and wildly popular multiplayer modes, the franchise has become a cultural juggernaut. A movie adaptation has long been seen as inevitable.

Harmony Korine — who else — recently weighed in on the subject. A self-professed gaming obsessive, he’s claimed that new advances in video game technology look visually better than anything on film. As he told EW:

it’s almost gone 360. You could look at the Call of Duty trailer now, and it looks better than anything that Spielberg’s ever done.

Turns out, not even Spielberg could get a green light.

← AI to Recreate Lost 43 Minutes of Orson Welles’ ‘The Magnificent Ambersons’THR: Numerous Oscar Voters Saying ‘Hamnet’ is “Trauma Porn” and Overhyped →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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