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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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‘One Night Only’ Makes Sex Boring — Negative Reviews Greet the ‘Sex Purge’ Rom-Com as Callum Turner’s Bond Hopes Takes a Hit

“One Night Only” is essentially a rom-com version of “The Purge,” where premarital sex is banned except for one night a year. Yet it spends so much time justifying its concept that it forgets the sex.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Josh Safdie’s ‘Marty Supreme’ Tested With a Nearly 3-Hour Cut

September 29, 2025 Jordan Ruimy

There’s not much left to be screened as far as the Oscar race goes. Titles include James Cameron’s “Avatar: Fire & Ash,” John M. Chu’s “Wicked: For Good,” Bradley Cooper’s “Is This Thing On?”—maybe Craig Brewer’s “Song Sung Blue” — and most enticing of all, Josh Safdie’s “Marty Supreme.”

Now, Safdie’s film, which test-screened a month ago, is being positioned by A24 as a major player. It’s also the indie studio’s most expensive film ever, rumored to have cost $90M, and with a Christmas release set, it’s clear that hopes are high.

About that screening, I’m told the cut shown was around three hours, hinting at an immensely ambitious film. Word from someone in the room was clear: don’t expect your “typical Safdie” joint. This isn’t “Good Time,” and it’s definitely not “Uncut Gems,” although there are hints of some of the more chaotic elements seen in those films.

That early cut suggests Marty Supreme could end up in the three-hour range — though it’s worth noting that test screenings often run longer than the final version. Nothing is confirmed yet, but the hint alone points to one of the season’s lengthier Oscar hopefuls.

For context: James Cameron has already suggested that “Avatar: Fire and Ash” will be slightly longer than ‘The Way of Water,’ which ran a massive 3 hours and 12 minutes. The only other contender even approaching that territory is “One Battle After Another” at 2 hours and 41 minutes.

A “Marty Supreme” trailer was released earlier this month, but it played in a more “conventional” fashion, though A24 is clearly reluctant to reveal too much of the plot. The trailer was good—sweeping, in fact—but I’m told it doesn’t fully capture the tone of the film, which is exceptionally ambitious.

Set in 1953, “Marty Supreme” tells the story of a Ping Pong champion. It is said to be a “fictional work,” though the life of Marty Reisman served as a template. The cinematographer, Darius Khondji, has stated that the film, written by Safdie and Ronald Bronstein, has around 240 speaking roles — which I still find hard to believe.

The cast is also delightfully eccentric, including Timothée Chalamet, Gwyneth Paltrow, Fran Drescher, Tyler, The Creator, Abel Ferrara, Penn Jillette, Kevin O’Leary, and Sandra Bernhard.

Although “Marty Supreme” is expected to entirely skip festivals, I hinted earlier this month that A24 was tempted to slot the film into the New York Film Festival lineup as a “surprise screening.” Whether that will actually happen remains to be seen, but it was solid intel, and discussions have taken place about how to potentially include the film.

Regardless, it’s pretty wild that Josh and Benny Safdie—masters of gutter poetry—have split, and are now set to release solo, A24-backed sports biopics this fall. I hope it works out for them, but as Ethan Coen has shown us, sometimes that could be a very bad idea.

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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