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May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

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Cory Finley's 'Reasonable People,' Starring Paul Rudd and Sam Rockwell, Shoots This Fall

Cory Finley, a talented filmmaker, has directed three films so far: "Thoroughbreds" (2017), "Bad Education” (2020), and "Landscape with Invisible Hand.”

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Bassam Tariq Says Making ‘Blade' at Marvel Was ‘“a Different Thing”: “Somebody Else Is Running This”

Bassim Tariq was the first one in the chair. The "Mogul Mowgli" director spent two years building out the Mahershala Ali vehicle before exiting in 2022, and he's now letting the air out on this one.

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‘The Family Stone’ Sequel Greenlit at Searchlight, Fall Shoot, Reunites the Entire Cast — Except Diane Keaton

Claire Danes, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider, and Brian White will all be back.

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Critics Are Fighting About ‘Fjord’ at TIFF; Sebastian Stan: “Not A MAGA Movie”

I was curious how Cristian Mungiu's "Fjord" would be received this fall. The Palme d'Or winner has become a culture-war flashpoint, and critics are more split on it than you might expect.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Artificial': Luca Guadagnino’s OpenAI Movie Struggled to Find a Studio: “Dull” Script Scared Off Paramount & Warner Bros.

July 11, 2025 Jordan Ruimy

Luca Guadagnino is directing “Artificial,” an ambitious $40M drama being described as “The Social Network” for the AI generation. Set against the backdrop of OpenAI’s meteoric rise, the film is expected to chronicle the personal rivalries, ego clashes, and ethical tensions behind the most consequential tech revolution of our time.

According to Puck’s Matt Belloni, the project, written by Simon Rich (“An American Pickle”), has bounced around Hollywood for months. His sources say the script was passed on by major studios, including Warner Bros. and Paramount, with some execs calling it “dull.” That’s not exactly the buzz one hopes for when making a prestige tech drama.

Then there’s Elon Musk, depicted in “Artificial” as both comic relief and corporate villain. The early OpenAI backer reportedly appears in a handful of scenes, fretting more about his malfunctioning driverless Tesla than the existential threat of runaway AI. After a failed attempt to merge OpenAI into Tesla, he pulls his funding and mostly vanishes from the story.

Despite the skepticism, the film found its champion in Courtenay Valenti, the head of Amazon/MGM Studios, who landed the project with producer David Heyman attached. Valenti’s bet on Guadagnino may pay off—after all, this is a director known for turning intimate material into cultural conversation starters. Still, he’s never tackled a subject quite this contemporary, or potentially incendiary.

Guadagnino’s last two films (“Challengers” and “Queer”) had been written by a rising talent, Justin Kuritzkes, but he’s opted to go this time with an unproven scribe. Rich, a former staff writer for SNL in his early 20s, wrote “An American Pickle,” a quirky time-travel comedy starring Seth Rogen, and “Man Seeking Woman,” the surrealist FXX series he created. While undeniably clever and imaginative, Rich’s work has sometimes been seen as too stylized or slight for major studio tentpoles, which may explain the hesitation around his script for “Artificial. “

Another key detail from Belloni’s report: “Artificial” is centered on Ilya Sutskever, the idealistic and somewhat naive Israeli machine learning engineer who co-founded OpenAI. He’ll be portrayed by “Anora” breakout Yura Borisov, with Andrew Garfield set to star opposite him as the film’s co-lead.

Rehearsals are set to begin next week in Italy, with a release planned for 2026.

← Hal Hartley Returns with First Film in a Decade — Kickstarter-Funded ‘Where to Land’ Made on $300K BudgetDavid Zaslav Rejected Ta-Nehisi Coates’ Black Superman Movie, Calling it “Too Woke” →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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