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DGA and IATSE Back Paramount’s Warner Bros. Merger, Urge AG Rob Bonta to Drop Lawsuit

The DGA and IATSE are two of the most powerful showbiz unions, and If this merger does go through, they will have absolutely played a role in helping make it happen.

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‘Coyote vs. Acme’ Scores 94% on Rotten Tomatoes, But Is Tracking for Weak $6–8M Opening

We’ll finally get to see what the big deal was when the film arrives in theaters, currently eyeing an August 28, 2026, release. Will it be a breakout hit, or just another “The Day the Earth Blew Up”?

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Alden Ehrenreich Joins Joseph Kosinski’s ‘Miami Vice ’85’ With Michael B. Jordan and Austin Butler

Eight years ago, Ehrenreich, who was seen by many as a rising star, was blamed in some circles for “Solo: A Star Wars Story,” which led to a five-year break from acting. He is now back, and with a vengeance.

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Adrien Brody and Sean Penn to Star in Doug Liman’s ‘Snake Island,’ About the Nord Stream Sabotage — Now Filming

“Snake Island,” directed by Doug Liman, is not only currently filming in Croatia, but two recent Oscar winners have now boarded the project as its leads: Sean Penn and Adrien Brody.

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‘Barbie 2’ Is in Crisis Over “Massive” Salary Demands From Greta Gerwig, Margot Robbie and Ryan Gosling

Based purely on upfront salaries alone and not including backend participation, we’re looking at $100M+ just to bring back Robbie, Gosling, Gerwig and Baumbach. The total budget of the first film was $145M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Luca Guadagnino Names ‘Ghosts of Mars’ One of the Best Films of the 21st Century

June 23, 2025 Jordan Ruimy

Luca Guadagnino, “Call Me By Your Name” and “I Am Love,” has long floated between arthouse elegance and genre thrills, often in the same film. But his latest hot take? It’s one for the books.

In his submitted list, for The New York Times, Guadagnino was asked to name the 10 best films of the 21st century. His picks included “In the Mood for Love,” and “Millennium Mambo.” Strong choices. Respectable. Wong Kar-wai and Hou Hsiao-hsien. Peak arthouse. The kind of answer that gets approving nods at dinner parties in the Marais.

Then came his #3: John Carpenter’s “Ghosts of Mars.”

Yes, that “Ghosts of Mars.” The 2001 space-Western-slash-Industrial-metal-hangout-movie featuring Ice Cube, Natasha Henstridge, and a whole lot of red lighting. A film that was, at the time of its release, universally panned and widely assumed to be Carpenter’s final creative gasp. A film where Jason Statham has hair. A film that most critics would rather pretend doesn’t exist. But Guadagnino? He clearly sees something else.

What makes this even funnier is that Guadagnino’s list also included Catherine Breillat’s “Fat Girl,” another boundary-pushing, deeply uncomfortable Euro provocateur film that’s about as far from “Ghosts of Mars” as one can get tonally—unless, of course, you’re Luca, in which case they’re probably in conversation about “bodies in revolt” or “dissolution of structure under oppressive regimes.”

Is he trolling? I don’t think so. And to be fair, all of Carpenter’s films, even the terrible ones, hsve been undergoing critical reappraisal in recent years. Some might even argue that “Ghosts of Mars” a misunderstood genre pastiche, Carpenter’s middle finger to Hollywood expectations. Others could think it’s dumb fun. Guadagnino? He apparently thinks it belongs in the same league as Wong Kar-wai.

Say what you will, but the man commits to the bit. We eagerly await a 4K Criterion reissue with a Guadagnino commentary track.

← Fincher/Pitt’s ‘Cliff Booth’ Plans Six-Month Shoot, Hundreds of Actors, Pricey BudgetErik Messerschmidt is DP on Ridley Scott’s ‘The Dog Stars’ →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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