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Noah Baumbach Exits Netflix for Warner Bros.' Clockwork, Will Shoot New Film in 2027

Back in 2021, Noah Baumbach signed a multi-year deal with Netflix that committed him to writing and directing several films for the streamer over the following years. He made two, and now he's gone.

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Greta Gerwig's ‘Narnia: The Magician's Nephew’ Gets First Look, and She Says It's a “Rock Opera"

Gerwig says her Netflix-bound "Narnia" is not a retread of the past movies; instead, she "wanted a rock opera," starting from scratch with C.S. Lewis's origin story, the one in which Narnia is actually born.

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Universal to Drop Alex Gibney's Elon Musk Documentary, but Bleecker Street Is Sticking With It

Here’s THR with the “exclusive.” Universal Pictures, which holds rights to Alex Gibney's documentary “Musk” everywhere outside North America, appears to be reconsidering whether to release it.

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Six Movies Since 2022, and Guy Ritchie Isn’t Slowing Down: ‘Wife & Dog’ Gets Trailer

Coming off “In the Grey,” which was itself significantly delayed, Ritchie has another film on his hands: “Wife & Dog.” A trailer has now been released for the film, which is due out early next year.

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Paramount to Exit California Amid Warner Bros. Antitrust Fight

For months, people close to CEO David Ellison had hinted that he would leave if state AGs didn't drop their antitrust suit against the $111 billion Warner Bros. Discovery merger.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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James Gunn Says Having Two Different Batman Movies is the “Biggest Issue in All of DC Right Now”

June 16, 2025 Jordan Ruimy

Although Matt Reeves has his own Batman franchise for Warner Bros, James Gunn decided that it was a smart move to work on a separate Caped Crusader project for his upcoming DCU. A few years ago, Gunn hired Andy Muschietti to direct this Batman movie, titled “The Brave and the Bold,” for DC Studios.

The problem is that having two Batmans occurring simultaneously is maybe not the best business move. It doesn’t help that Muschietti directed “The Flash,” a film that lost more than $150M for Warner Bros and was panned by critics upon release. Gunn hired Muschietti before anyone had seen “The Flash,” so as you can imagine, he’s in a bit of a conundrum here.

In a new Rolling Stone interview, Gunn got candid about the daunting task of crafting a new version of Batman for the DCU—one that must coexist with, but remain distinct from Reeves’ noir-drenched “The Batman” saga.

“Batman’s my biggest issue in all of DC right now, personally,” Gunn admits, striking an unusually vulnerable tone. And while he’s not the one writing the character directly, he’s heavily involved in shaping the creative direction of what is currently still titled “The Brave and the Bold.”

The challenge is clear: how do you introduce yet another version of the Caped Crusader into a cinematic landscape already saturated with him—without falling into parody, redundancy, or irrelevance?

Batman has to have a reason for existing. He can’t just be ‘Oh, we’re making a Batman movie because Batman’s the biggest character in all of Warner Bros.,’ which he is […] I’m not interested in a funny, campy Batman, really.

That said, Gunn claims he’s found “a way in”—a fresh perspective on the character that doesn’t retread old ground but still honors what makes Batman compelling. It’s just a matter of executing that vision alongside the unnamed writer he’s working closely with.

As for Reeves’ “The Batman” entering the DCU? Gunn didn’t slam the door shut, but he’s about as close as it gets: “I would never say zero, because you just never know. But it’s not likely. It’s not likely at all.” He also took the opportunity to push back against rumors that “The Batman Part II” is dead in the water. “It’s not canceled. We don’t have a script. Matt’s slow. Let him take his time… God, people are mean. Let him do his thing, man.”

At the end of the day, Gunn is facing what might be the most high-stakes creative decision in modern franchise filmmaking: reinventing a character that has already been reinvented to death.

← IndieWire’s 100 Best Movies of the 2020s Topped by ‘Nickel Boys'‘28 Years Later’ Social Media & Review Embargo Doesn’t Lift Until 24 Hours Before Release →

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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RUMOR: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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