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BREAKING: Netflix Wins Bidding War to Acquire Warner Bros.
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Matt Reeves Defends Paul Dano After Quentin Tarantino Calls Him “The Limpest Dick in the World”
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Darren Aronofsky to Direct Gillian Flynn-Penned Erotic Thriller for Sony
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AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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‘Drive’ Scribe Hired to Rewrite ‘Clayface’ for DCU Studios

May 6, 2025 Jordan Ruimy

As previously reported, “Clayface” is being rewritten from scratch. Mike Flanagan wrote a draft, and it clearly wasn’t what DCU bosses James Gunn and Peter Safran were looking for. It wouldn’t shock me if Flanagan doesn’t get a writing credit on this one as this new writer was seemingly tasked to produce a “page 1” rewrite.

Now, here’s The Wrap reporting that Hossein Amini, the screenwriter acclaimed for his work on 2011’s “Drive,” has been brought on to rewrite the script for “Clayface” at DC Studios. Amini’s other credits include “The Wings of the Dove” (good), “The Four Feathers” (meh), and “The Snowman” (yikes).

Flanagan’s script, described as a Hollywood horror story, followed a B-movie actor who injects himself with a substance to keep himself relevant — didn’t Coralie Fargeat already make this film? The budget for “Clayface” is a very modest $40M.

James Watkins, known for directing the recent remake of the Danish thriller “Speak No Evil” for Universal, is set to helm the film, which is supposed to start production in October. However, despite the numerous projects Gunn has announced for his DCU, you can’t really count on anything being locked in until it starts production.

← ‘Sing Sing’ Director Sets Next Film, A Possum-Talking Musical Comedy Starring Miles TellerRyusuke Hamaguchi (‘Drive My Car’) To Direct Paris-Set Film ‘All of the Sudden’ With Virginie Efira →

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