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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Kenneth Branagh Calls Tom Cruise An “Underestimated” Actor

April 28, 2025 Jordan Ruimy

In a recent interview, Kenneth Branagh — Shakespearean maestro turned Hollywood heavyweight — lit a fire under the industry chatter mill by dubbing Tom Cruise an "underestimated" actor.

However, Branagh wasn’t doling out flattery for Cruise’s high-octane heroics. He praised something deeper — Cruise’s unwavering dedication to character and story. “If he ever tires of wowing the world with action, he’s going to surprise those who view him as only a movie star,” Branagh mused. “What he’s done with ‘Mission’ and ‘Top Gun’ is unique — cinematic entertainment with a serious intent to give you a wonderful time at the movies. But he’s an underestimated actor — for whom a golden age of performance beckons.”

Couldn’t have said it better myself. Longtime readers already know I’ve been ringing this bell for years: Cruise isn’t just an action star — he’s a dramatic actor who’s been hiding his true potential behind a wall of explosions, death-defying stunts, and franchise loyalty.

Let’s be clear — no shade toward ‘Mission: Impossible’ or ‘Top Gun.’ Some of those films are pure adrenaline-laced popcorn joy. But somewhere along the way, Cruise put away the dramatic gloves, and it’s been nearly a decade since he starred in a non-franchise film.

Remember when Cruise used to chase auteur collaborations? The guy worked with Kubrick, Scorsese, Spielberg, P.T. Anderson, Stone, Mann, Levinson, De Palma, Pollack, Reiner, Ridley Scott — a who’s-who of directorial greatness. Now? It’s all McQuarrie, all the time.

The last real glimpse we got was “American Made” (2017), where Cruise channeled Barry Seal, a crooked pilot with charm oozing from every pore. It was like watching the Cruise of old — sly, unpredictable, human.

If it weren’t for Daniel Day-Lewis’ landmark turn in “My Left Foot,” Cruise would have probably won the Oscar in 1990 for “Born on the Fourth of July.” Cruise delivered a fearless, career-redefining performance as Ron Kovic, a disillusioned Vietnam veteran whose physical and emotional unravelling was impossible to unsee.

He should’ve won the Oscar for “Magnolia.” Full stop. As Frank T.J. Mackey, Cruise detonated every preconceived notion of his screen persona. It was raw. It was explosive. It was art. A foul-mouthed alpha guru with a soul crumbling beneath the surface — that performance was like watching a ticking time bomb.

He also should’ve been nominated for “Collateral,” where he turned the hitman archetype into something elegant, chilling, and weirdly charismatic. And don’t even get me started on “Tropic Thunder” — the comedic brilliance of Les Grossman was so unexpected it practically made us forget it was Cruise acting underneath all that makeup.

So Kenneth Branagh, I salute you. Thank you for reminding everyone that Cruise isn’t just a man with a need for speed — he’s an actor with a need to act. And the sooner he gets back to flexing those dramatic muscles, the better off cinema will be.

← ‘Weapons': Zach Cregger Confirms “Unapologetic” ‘Magnolia’ InfluenceWerner Herzog Says ‘Bucking Fastard' Completes A Trilogy After ‘Fitzcarraldo' and ‘Grizzly Man' →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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