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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Ben Stiller Slams Variety For Not Praising ‘Sinners' Box-Office Performance

April 21, 2025 Jordan Ruimy

Okay, Ben Stiller—deep breaths.

The actor-director is not holding back after Variety claimed that Ryan Coogler’s “Sinners” was still a long way from turning a profit—a narrative he says is wildly out of step with the movie’s actual box office success.

Stiller clapped back at a Variety piece that read:

"Sinners has amassed $61 million in its global debut. It's a great result for an original, R-rated horror film, yet the Warner Bros. release has a $90 million price tag before global marketing expenses, so profitability remains a ways away..."

In a tweet that’s since been liked 260k times, Stiller replied:

In what universe does a $60 million opening for an original studio movie warrant this headline?

The “Severance” director is clearly not here for what he sees as a doom-and-gloom spin, emphasizing that Sinners' strong debut is a win, especially for a non-franchise, R-rated horror flick.

According to Variety's own reporting, as of April 20, “Sinners” grossed $46M globally in its opening weekend alone. The problem is that the film, which cost $105M to produce, completely tanked internationally, with only $15M in international receipts.

Filmmaker Joe Russo echoed Stiller’s sentiment with a sarcastic jab:

“Variety: ‘WHY DIDN’T THE MOVIE MAKE ALL ITS BUDGET BACK IN THREE DAYS.’”

It’s not just Variety that claims the “Sinners” opening to be anything but a triumph. The New York Times has also expressed skepticism about the film ultimately turning a profit. That still didn’t stop social media users from aggressively rallying against both outlets that tried to pour a cold shower on the narrative that “Sinners” is a flat-out money-making triumph.

Now, listen, for all of you readers who angrily emailed me about my “Sinners” review, I still think it’s a solid film; It’s a solid “B” in my books. Bold filmmaking, with an unusually enticing mash-up of genres. I just vehemently disagree that it’s the “masterpiece” many claim it to be. That’s it. No need to get all in my face about it.

As for Variety and The New York Times’ claims that it won’t turn in a profit, at this point, “Sinners” has tanked internationally, and the film absolutely needed strong overseas receipts to turn into an all-around success. However, there is also zero percent chance “Sinners” won’t be profitable over time. PVOD numbers alone will push it past break-even.

With that said, and reverting to what I wrote over the weekend, the real, actual triumph of “Sinners” is that it’s a non-IP original that ACTUALLY MADE MONEY domestically ($48M). We need more of these, and Warner Bros should be commended for its greenlighting of this project.

← ‘Ready or Not 2’ Adds Elijah Wood, Sarah Michelle Gellar & David Cronenberg (!!!)‘The Last of Us’ Shocks Audiences With Major Character's Death [SPOILERS] →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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