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Woody Allen Defends Moscow Appearance: “Cutting Off Artistic Conversations Is Never the Answer”
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Kristen Stewart’s Directorial Debut ‘The Chronology of Water’ Acquired by .. The Forge?
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France’s Oscar Dilemma: Richard Linklater vs. Jafar Panahi?
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First Images from Mona Fastvold’s ‘The Testament of Ann Lee’ — Shot on 70mm, Budget Under $10M
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Pedro Almodóvar’s ‘Bitter Christmas’ Lands at Sony Pictures Classics, Set for Cannes 2026?
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Celine Song's ‘Materalists' Sets June 13 Release Date via A24

March 4, 2025 Jordan Ruimy

Here’s an interesting development. A24 has set up a June 13 nationwide theatrical release for Celine Song’s “Materialists.” Is this film skipping festivals?

The film, which stars Dakota Johnson, Chris Evans and Pedro Pascal, follows a young, ambitious New York City matchmaker who finds herself torn between two men, including her imperfect ex.

Song’s “Past Lives” was not only a Sundance sensation, but went on to get Best Picture nominated at the Oscars. Whatever film Song did next was going to be met with a lot of anticipation, especially by critics, who wildly praised “Past Lives.”

Briefly, based on multiple people I’ve spoken to, “Materialists,” which was shot on 35mm, is “just is not as good as “Past Lives.” The cut shown last year was rough, and they definitely had room to tighten it up and make it better. With that said, it sounds like a likable and accessible film.

“Materialists” has been described as “Hitch if it were written by James L. Brooks. Johnson is said to be a standout as the workaholic matchmaker who has to confront what she wants out of love. She is said to have really good chemistry with Pedro Pascal (also very good) and Chris Evans.

What “Materialists” seems to amount to is “commercial appeal,” and that makes sense given its release date during the thick of the summer movie season. It’s striving to be kind of romcom that doesn’t really get made these days, unless you count those terrible ones that Netflix seems to be releasing every month.

This is a fairly risky film on the part of Song, going from “Past Lives” to what sounds like unadorned romcom territory. It doesn’t sound like “Materialists” will get the same acclaim as “Past Lives” and maybe that’s what Song intended by having her sophomore effort be a lighter affair.

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