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Eli Roth Admits ‘Ice Cream Man’ Used AI After Previously Saying It Didn’t: “I Misspoke”

The film arrives unrated, set to screen in 2,000+ theaters this weekend, but is already plagued by disastrous early reviews, amounting to a 29% score on Rotten Tomatoes.

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Paramount’s Warner Bros. Deal Could Get $1.3 Billion More Expensive as Judge Sets Worst-Case-Scenario March 2027 Trial

The judge in the antitrust suit against Paramount’s proposed acquisition of Warner Bros. has set the trial for March, rather than the November date Paramount requested. That is catastrophic for David Ellison.

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James Cameron Is Ready to Move on From ‘Avatar’ and Tell “Other Stories”: “I’m Mapping Out the ‘Last Act’ of My Career”

In a new interview, James Cameron admits that he is considering which other stories he wants to tell, beyond Avatar, adding that he’s mapping out the “last act” of his career.

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Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Snow White’ Actually Cost $350M!

March 27, 2025 Jordan Ruimy

Did anyone actually believe Disney when they ran to Deadline with that $270M budget figure for “Snow White”? I certainly didn’t.

That “official” figure didn’t make an iota of sense, and yet the trades took Disney’s word for it. They didn’t even take into consideration that Forbes had reported the film costing $270M in December 2023, and that was before reshoots and post production work would occur on “Snow White” the following spring and summer.

Now we have The New York Times mentioning that “Snow White” cost $80M more than Disney tried to make us believe. Their figure has the film running in excess of $350M. Do you now understand why Disney had to throw Rachel Zegler under the bus? They needed a scapegoat for this utter catastrophe they have to deal with.

“Snow White” has to make $800M to break even, and I’m being generous here by not even adhering to the customary X2.5 rule. The fact that the film only earned $87M worldwide in its opening weekend should be of grave concern for Disney. By the end of its run, the film might not even hit a $250M global tally. You do the math. “Snow White” is set to become one of the biggest bombs in movie history.

The film nearly doubled its originally intended budget ($180M) — no doubt, and mostly, due to multiple rounds of reshoots, rewrites, and most pertinently, a Peter Dinklage-led backlash about those damn dwarves. Dinklage was a real douche about it; Disney received plenty of pushback after he spoke out against including little people being cast as the dwarves. They were eventually replaced by CGI monstrosities.

What I want to know is the exact amount of money that would have been saved if Disney had decided to ignore Dinklage’s ranting, not used CGI and just stuck with the original plan of casting seven actors with dwarfism.

From the get-go, “Snow White” was mired in controversy. What was the primary reason for its downfall? That’ll be for the history books to decide, but it was very likely just a perfect storm of CGI dwarves, Rachel Zegler, the multiple delays, and live-action remake fatigue.

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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