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Jonah Hill's ‘Cut Off' Heads Into Reshoots After Being Deemed “Unwatchable” and “Unreleasable”

Hill, coming off the miserable reviews for this year's “Outcome,” now has yet another film destined for a long delay. This time, it's “Cut Off,” his third directorial effort, which was set to hit theaters this July

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Adam Driver Is in ‘Heat 2,’ Stephen Graham Confirms

Driver will play Otis Wardell, the central villain, psychopathic criminal who operates primarily in Chicago. The character’s presence ties together the prequel and sequel halves of the book’s structure.

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‘Blade’ Director on What Marvel Tells Directors: “This Is a Marvel Movie Directed by a Person”

According to Tariq, Marvel is upfront about it. They tell you, politely, that what you're making is "a Marvel film directed by a person .. They crop your shots. They change things.”

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Kristen Stewart Reunites with Olivier Assayas for ‘Spiritual World'; Vicky Krieps, Riley Keough & Wagner Moura Also Aboard

Stewart and Assayas previously collaborated on 2014's "Clouds of Sils Maria," which won her a César, and 2016's "Personal Shopper," which earned Assayas Best Director at Cannes.

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Robert Eggers Wants a “Break" From Horror, So He's Making ‘Romeo & Juliet'

At a post-trailer Q&A for “Werwulf,” which opens Christmas Day, Eggers explained why his next movie is Shakespeare’s teen tragedy rather than another gloomy medieval tale.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Brigitte Bardot Dies, Sean Baker Honors Her, and Outrage Follows

December 30, 2025 Jordan Ruimy

In recent months, the deaths of certain celebrity figures, and the reactions to their passing, have proven just how divisive and unhinged society has become. Whether it’s Rob Reiner, or Charlie Kirk, the dead can’t be left alone anymore.

The latest example is Brigitte Bardot, the cultural French icon, who passed away on Sunday at 91. Some people are so unhinged that they’re trying to attack public figures just for saying RIP about a celebrity who, yes, was right-wing, but left an indelible mark not just in cinema, but in her passionate battle for animal rights activism.

In case you’re unaware, Bardot’s legacy during the second half of her life was political. She held outspoken positions on immigration, religion, and sexuality—especially concerning Islam—which even led to repeated convictions for incitement to racial hatred and homophobia in France. She attacked modern feminism and expressed views that alienated many who once admired her. She never softened, never apologized, and never attempted rehabilitation.

One look at comments, especially on Reddit, reveals people brimming with vile insults directed at Bardot; it’s easy to be a keyboard warrior these days, but her legacy will remain intact, while these fleeting attacks fade into obscurity.

Judging by the reactions to Bardot’s death, you’d think Hitler had just died.

Case in point: after much fan pressure, popular singer Chappell Roan removed her online post where she paid tribute to Bardot and instead posted, “Holy shit i did not know all that insane shit Ms. Bardot stood for obvs I do not condone this. very disappointing to learn.”

Sean Baker, director of “Anora,” took the opposite approach. Instead of bowing down to pressure and apologizing, he doubled down—deleting comments and blocking accounts vilifying Bardot, and celebrating her death. Of course, now Baker is being targeted as a bigot.

Honestly, this is unlike anything I’ve witnessed in my lifetime. Now we’re just celebrating people’s deaths, and both sides of the political aisle have been guilty of that in recent weeks. It’s a disturbing reflection of a culture increasingly obsessed with outrage, where nuance is discarded, and public mourning has become a minefield of moral judgment rather than a space for reflection.

← ‘Ocean’s 14’ Sets Sights on October 2026 Shoot — Pitt, Clooney, Damon, Roberts and Cheadle Confirmed‘Stranger Things’ Finale Already Has 3500+ Showtimes Sold Out Nationwide →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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