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David Fincher’s ‘Cliff Booth’ Reshoots Set for August — Jeff Cronenweth to Replace Erik Messerschmidt as DP

The film had actually wrapped its six-month production in January 2026, and it’s been in post-production for the last eight months. Fincher is well known for taking his time in the editing room.

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‘Michael’ Sequel Targets Late 2027/Early 2028 Release

Lionsgate CEO Adam Fogelson has given an update on the “Michael” sequel, the studio’s blockbuster Michael Jackson biopic, which hit $1 billion at the box office this year.

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Sam Neill’s Final Role Will Be in ‘The Legend of Zelda’

Sam Neill had filmed four projects back-to-back over the past year, all of which would be released in the coming months, including “The Legend of Zelda.”

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Gareth Edwards Exits ‘Jurassic World’ Sequel Due to “Creative Differences”

Universal and Amblin are moving forward with the next ‘Jurassic World’ movie, but Gareth Edwards is not expected to return as director following “creative differences.”

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Emmanuel Lubezki Set as DP on Ben Stiller’s WWII Thriller ‘Airman,’ Starring Jeremy Allen White, A24-Backed

Lubezki’s participation in the film doesn’t seem so far-fetched when you realize that he was also the DP on Stiller’s “Reality Bites,” way back in 1994. They haven’t worked together since.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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What’s James Cameron’s Best Movie?

December 20, 2025 Jordan Ruimy

Here’s one more James Cameron piece for you — the big one: what’s his best film? I’ve put together a poll below, and you can sound off in the comments as well. I’m not including “Piranha II,” because after the Kubrick poll devolved into vote-bombing — somehow crowning “Fear and Desire” as his “best” — I’ve learned my lesson. Absolutely not. I don’t believe that result for a second.

Alright. Deep breath. Back to Cameron.

Cameron’s strengths as a director—particularly his visionary approach to filmmaking and his ability to push cinematic boundaries—are undeniable, as are the ambition and scope of his work. He crafts immersive, technically groundbreaking cinema. At the same time, his weaknesses—a tin ear for dialogue and storytelling elements that don’t always match the visual spectacle—can result in uneven work. That said, he’s certainly given us more than a fair share of great films over his career.

Picking his best film is harder than it sounds. Let’s first get the “Avatar” films out of the way. The original still stands head and shoulders above the sequels, flaws and all — especially for its use of 3D, which was genuinely mind-blowing in 2009. I wouldn’t rank it anywhere near the top of Cameron’s filmography, but its cultural importance is undeniable.

Then comes the migraine-inducing choice: “The Terminator” or “T2: Judgment Day.” Two masterpieces. Two very different films. Two seismic shifts in sci-fi cinema. Put a gun to my head and force a decision, and I’d probably — reluctantly — go with “T2,” if only for the sheer density of iconic moments.

But wait, it doesn’t stop there. “Aliens” opens up another existential dilemma: Ridley Scott’s haunted-house horror “Alien” or Cameron’s adrenaline-fueled, militarized sequel? Good luck settling that one.

And then there’s “The Abyss,” a film that’s grown into a full-blown cult favorite and is often cited as the most underrated entry in Cameron’s career. Last year’s fully restored 4K Special Edition only reinforced its legacy. It’s barely misses my Cameron top 5, but there’s certainly a passion following for this film.

Finally, we arrive at “Titanic” — Cameron’s most celebrated work. An old-school Hollywood epic that by all logic shouldn’t have worked, yet somehow did, spectacularly. Yes, the dialogue could be clunky. Nobody cared. The romance landed, the drama soared, the performances connected, and Cameron’s visuals were overwhelming in the best way possible. It’s unquestionably among his greatest achievements.

If it were up to me, it comes down to two films: “T2” or “Titanic.” And even then, I’m not sure I trust myself to make the final call.

← ‘The Odyssey’ Trailer Releases MondayLars Eidinger to Play Brainiac in James Gunn’s ‘Superman: Man of Tomorrow’ →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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