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Jeremy Saulnier’s ‘Slayground’ Teaser Is a Total Misdirection, but Is It Really Coming “This Fall"?

I should warn you: based on everything I’ve heard, this teaser is a total misdirection. The movie is not at all what it’s being portrayed as here. In fact, most of the footage in the teaser comes from the first few minutes of the film.

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David Fincher’s ‘The Further Mis-Adventures of Cliff Booth’ FINALLY Has A Trailer!

Netrflix finally decided to stop teasing us with cryptic teasers and given us an actual trailer for David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

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Ben Wheatley to Direct ‘Fear The Reaper’ With James McAvoy

Here's a small scoop for Sunday night. Nothing too exciting, since it concerns the once-promising Ben Wheatley, a filmmaker who broke out with the cult-horror gut-punch of "Kill List" and "A Field in England.”

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The Debut’ Was the Toast of Telluride. Then the Rest of Us Saw It at TIFF — Moore Is Great, Movie Is Good

Eisenberg has made a surreal nightmare of a comedy, one that's a step up in polish. It helps that Moore is wildly unhinged here — this performance is something to see, and some of her strongest work in years.

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Jeremy Strong Went Full Zuckerberg on ‘The Social Reckoning' Set: “He Did Not Speak in His Own Voice”

Jeremy Strong is at it again. During the ‘Social Reckoning’ shoot he treated his co-stars "the way he imagined" Mark Zuckerberg would treat them. Strong, of course, plays the Meta CEO in the film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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What’s James Cameron’s Best Movie?

December 20, 2025 Jordan Ruimy

Here’s one more James Cameron piece for you — the big one: what’s his best film? I’ve put together a poll below, and you can sound off in the comments as well. I’m not including “Piranha II,” because after the Kubrick poll devolved into vote-bombing — somehow crowning “Fear and Desire” as his “best” — I’ve learned my lesson. Absolutely not. I don’t believe that result for a second.

Alright. Deep breath. Back to Cameron.

Cameron’s strengths as a director—particularly his visionary approach to filmmaking and his ability to push cinematic boundaries—are undeniable, as are the ambition and scope of his work. He crafts immersive, technically groundbreaking cinema. At the same time, his weaknesses—a tin ear for dialogue and storytelling elements that don’t always match the visual spectacle—can result in uneven work. That said, he’s certainly given us more than a fair share of great films over his career.

Picking his best film is harder than it sounds. Let’s first get the “Avatar” films out of the way. The original still stands head and shoulders above the sequels, flaws and all — especially for its use of 3D, which was genuinely mind-blowing in 2009. I wouldn’t rank it anywhere near the top of Cameron’s filmography, but its cultural importance is undeniable.

Then comes the migraine-inducing choice: “The Terminator” or “T2: Judgment Day.” Two masterpieces. Two very different films. Two seismic shifts in sci-fi cinema. Put a gun to my head and force a decision, and I’d probably — reluctantly — go with “T2,” if only for the sheer density of iconic moments.

But wait, it doesn’t stop there. “Aliens” opens up another existential dilemma: Ridley Scott’s haunted-house horror “Alien” or Cameron’s adrenaline-fueled, militarized sequel? Good luck settling that one.

And then there’s “The Abyss,” a film that’s grown into a full-blown cult favorite and is often cited as the most underrated entry in Cameron’s career. Last year’s fully restored 4K Special Edition only reinforced its legacy. It’s barely misses my Cameron top 5, but there’s certainly a passion following for this film.

Finally, we arrive at “Titanic” — Cameron’s most celebrated work. An old-school Hollywood epic that by all logic shouldn’t have worked, yet somehow did, spectacularly. Yes, the dialogue could be clunky. Nobody cared. The romance landed, the drama soared, the performances connected, and Cameron’s visuals were overwhelming in the best way possible. It’s unquestionably among his greatest achievements.

If it were up to me, it comes down to two films: “T2” or “Titanic.” And even then, I’m not sure I trust myself to make the final call.

← ‘The Odyssey’ Trailer Releases MondayLars Eidinger to Play Brainiac in James Gunn’s ‘Superman: Man of Tomorrow’ →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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