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Ridley Scott Says He’s Not a “Filmmaker,” He’s an “Influencer” Because He’s Always Been “Ahead of the Game”

Ah, yes — Ridley Scott must be promoting a new movie, which means lots of ridiculous quotes from the many interviews he’s doing. Here’s the latest example.

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Rebecca Ferguson and Greta Lee Filming Secret Lesbian Romance in London

Ferguson had briefly teased the movie as a romance, while Lee previously told Screen that she was “scared to do it,” explaining that it’s a romance between two women and a role she hadn’t tackled before.

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Greta Gerwig’s ‘Narnia’ Has a $280M Budget, Making It One of Netflix’s Most Expensive Movies Ever

We now have a number, courtesy of “Narnia” DP Seamus McGarvey, who, in a recent podcast appearance, casually remarked that the film had a $280M production budget.

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Meghan Markle Dropped From Guy Ritchie’s ‘The Gentlemen’ Just 24 Hours After Casting Reports

Not more than 24 hours later, Guy Ritchie’s role offer to Markle has now reportedly been withdrawn. The story goes that they don’t want her in the show anymore “after intense backlash in the U.K.”

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‘Teenage Sex and Death at Camp Miasma’ Eyes $1.9M Weekend in Wide Expansion — Post Your Review!

Now that “Camp Miasma” has reached a wider rollout, what did our readers think of the film? Does it deserve all the raves it’s been getting? I’ll give it a rewatch soon, but for now, I’m in the mixed camp.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Netflix’s 2026 Slate Includes Greta Gerwig, Ben Affleck, Robert Zemeckis and Brad Bird — While Fincher Remains Unannounced

January 7, 2026 Jordan Ruimy

In terms of Oscar contenders, 2025 was a decent year for Netflix, but not an exceptional one—the days of the streamer throwing boatloads of cash at any auteur willing to work with them are long gone.

They acquired “Train Dreams” at Sundance, and that film could—maybe—sneak into a Best Picture nomination. Their main “original” push has been Guillermo del Toro’s “Frankenstein,” which is very much a Best Picture contender. Meanwhile, Noah Baumbach’s “Jay Kelly” has underperformed, but on the strength of sheer industry goodwill, it’s still clinging to its fading Oscar hopes.

Otherwise, the streamer’s other prestige-leaning titles failed to hit the Oscar sweet spot. “A House of Dynamite” and “Ballad of a Small Player” never really ignited.

The prime catalyst may have been the arrival of the streaming service’s new chief of content, Dan Lin, who has stated that the focus going forward will be to greenlight films that are “more about audience, and less about auteurs.”

So, after years of funding passion projects from the likes of Scorsese, Coen, Lee, Cuarón, Iñárritu, Campion, Cooper, Soderbergh, and Bong, among many others, the streaming giant has seemingly decided to stick to producing the kind of brainless crap that routinely invades its weekly Top 10 films (here’s looking at you, “Back in Action”).

With that said, 2026 is looking… okay for the streamer, which announced its 2026 film slate this morning. The main titles to keep an eye on this year are Brad Bird’s “Ray Gunn,” Greta Gerwig’s “Narnia,” Ben Affleck’s “Animals,” and Lee Chang-dong’s “Possible Love.”

Notably absent from the announcement was any mention of David Fincher’s “The Adventures of Cliff Booth.” In fact, Netflix has never officially acknowledged—let alone announced—that this film exists at all. Will it hit its rumored summer 2026 release date? I have my doubts. Apparently, the film is still in production.

There was also no word on Robert Zemeckis’ “The Last Mrs. Parrish,” starring Jennifer Lopez, which surely must be coming out this year, given that it wrapped production back in October.

Of course, for Netflix, this will be the year of ‘Narnia’—its $200 million investment in a Greta Gerwig–directed reboot that will hit IMAX theaters in November before arriving on the platform in December. It has been hyped ad nauseam, and it marks Gerwig’s follow-up to “Barbie.” Per her contract, she is expected to direct another instalment — although I’ve been hearing whispers that she’s already been shooting scenes for the second instalment.

This morning’s announcement also confirmed that Brad Bird’s Ray Gunn is indeed coming out this year—a project Bird has been trying to make for well over a decade. At one point last decade, it was intended to be hand-drawn, but he ultimately settled on CGI animation, which is disappointing. Still, the film has been saved by Netflix.

I’ve compiled a quick list of the most interesting Netflix films set for 2026 release, including the Fincher and Zemeckis projects. As you can see, we’re getting a handful of promising titles this year—but not at the level of years past, exactly as Lin put it: “more about audience, and less about auteurs.”

Narnia (Greta Gerwig)
The Adventures of Cliff Booth (David Fincher)
Ray Gunn (Brad Bird)
Possible Love (Lee Chang Dong)
Animals (Ben Affleck)
Here Comes the Flood (Fernando Mereilles)
The Last Mrs. Parrish (Robert Zemeckis)
The Mosquito Bowl (Peter Berg)
Good Sex (Lena Dunham)
Saturn Return (Greg Kwedar)
11817 (Louis Letterier)
The RIP (Joe Carnahan)
Peaky Blinders: The Immortal Man (Tom Harper)
Apex (Baltasar Kormákur)

← Dave Harbour Exits Tony Gilroy’s ‘Behemoth!’ In Mid-Production— Reshoots NeededWarner Bros. Discovery Rejects Paramount’s Latest Offer: “Inferior” To Netflix Deal →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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