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Werner Herzog's ‘Grizzly Man' Joins the Criterion Collection — Plus ‘The English Patient,’ ‘Nashville' and ‘Shop Around the Corner’

Criterion's December lineup has some great additions to the library, but the title that jumped out at me is Werner Herzog's "Grizzly Man," which officially joins the Collection on December 8.

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Robert De Niro to Play Tommy Lasorda in Reid Carolin's ‘Tommy & Me'

De Niro is in talks to play legendary Los Angeles Dodgers manager Tommy Lasorda in “Tommy & Me,” a sports drama Reid Carolin will direct for Skydance Sports.

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Quentin Tarantino to Publish ‘The Adventures of Cliff Booth' Novel, Out December 8

The book is titled "The Adventures of Cliff Booth," which, if you've been following along, was the original title of Fincher's film before it was renamed "The Further Mis-Adventures of Cliff Booth."

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Zack Snyder Says the ‘Last Photograph' Negative Reviews Were “100%” About Him and Not the Movie

Zack Snyder woke up in Toronto the morning after his premiere and did the one thing no filmmaker should ever do the morning after: he opened X.

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‘The Life and Deaths of Wilson Shedd': Amanda Seyfried and Scoot McNairy Power Tim Blake Nelson's Best Film Since ‘The Grey Zone' [TIFF]

Tim Blake Nelson has been making films for thirty years and hasn't directed a narrative feature in more than ten. "The Life and Deaths of Wilson Shedd," is the best thing he's done since "The Grey Zone.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Trailer: Gus Van Sant is Back With ‘Dead Man's Wire' — His First Film in Over 7 Years

November 24, 2025 Jordan Ruimy

Row K Entertainment, which recently launched, has made its first North American acquisition with Gus Van Sant’s Dead Man’s Wire, picked up out of the Toronto market. Row K has also released a new trailer.

This film had so much potential, and the trailer certainly suggests a ’70s American–new-wave–inspired hostage crime thriller, but I just couldn’t vibe with it. Maybe you will.

This is Van Sant’s comeback vehicle. After seven years away, the director of “Elephant,” “Drugstore Cowboy,” “My Own Private Idaho,” and “Good Will Hunting” returns with an oddly inert film—which I reviewed at Venice. Don’t get me wrong: reviews have been positive, but to me, they’re a bit too generous. If that 97% on Rotten Tomatoes were truly an accurate reflection, a more prestigious studio—rather than Row K—would be behind it.

Set in 1977, the film centers on the true story of Tony Kiritsis, who held a banker at gunpoint. Yet Van Sant somehow makes this wild real-life story feel dull. The movie wants to be “Dog Day Afternoon,” but it isn’t. It’s stylish, occasionally funny, and anchored by a precise Bill Skarsgård performance, but it never ignites real tension or immersion. It admires the ’70s; it doesn’t live in them.

Van Sant assembles an accomplished cast of performers. Skarsgård and Dacre Montgomery star as the pivotal kidnapped-hostage duo. The pair is joined by co-stars Colman Domingo, Cary Elwes, Myha’la, and Al Pacino.

Since “Milk” (2008), it’s been a rough run for Van Sant: “Restless” (2011) was mawkish and lightweight, “Promised Land” (2013) was a clunker, and “The Sea of Trees” (2015) was booed out of Cannes. His last film, “Don’t Worry, He Won’t Get Far on Foot” (2018), despite Joaquin Phoenix in the lead, couldn’t break through. Earlier this year, Van Sant directed six episodes of “Feud: Capote vs. The Swans,” which critics responded to favorably. It marked a small but notable return for him.

“Dead Man’s Wire” was originally supposed to be directed by Werner Herzog, with Nicolas Cage in the lead — that version fell through. It would have been far more interesting to see those two at the helm than what we ultimately got.

“Dead Man’s Wire” will have an awards-qualifying run on December 12. It opens in select theaters January 9 before expanding nationwide on January 16. Watch the new trailer below.

← ‘No Other Choice’ Leaks Online — Neon Sets Early IMAX Release on December 8 Brady Corbet Confirms Untitled 4-Hour Western Will Be X-Rated, Shot in 70mm, Filming Next Summer →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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