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Alan Ritchson to Replace Jason Momoa in Justin Lin's ‘Helldivers' Movie

The source material, for the uninitiated, is Arrowhead Game Studios' co-op shooter — muscle in power armor defending "Super Earth" from bugs and robots in a war game.

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‘NAZA’ to Self-Distribute in U.S. Theaters Starting September 30

A US theatrical rollout is starting Sept. 30 in NYC, will expand to Los Angeles and other markets on Oct. 9 and then roll out nationally via a plan that forgoes selling the film to a studio or independent distributor.

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Zach Cregger's ‘The Flood' Script Is ‘2001’ Meets ‘Aliens’ — and It's Insane

Cregger himself pinpoints that “2001: A Space Odyssey” was an inspiration on “The Flood,” although he steers clear from directly comparing it to Kubrick’s masterpiece.

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Brad Pitt and Edward Berger Team for ‘World War Z’ Sequel at Paramount

After more than a decade of false starts, Paramount has closed deals with Brad Pitt to star and Edward Berger to direct the sequel to “World War Z.”

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First Clip of ‘Digger’ Released

Here's our very first clip for Alejandro G. Iñárritu's "Digger." There have been two trailers so far, with not much reveal, but this is our first look at a scene from the film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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James Cameron Says ‘Avatar 3' Has to “Make A Lot of Money" For the Franchise to Continue

October 3, 2025 Jordan Ruimy

If you’re sick and tired of ‘Avatar,’ there’s hope! For the franchise to continue, the upcoming third film will need to earn more than just $1 billion at the box office for the franchise to live another day.

Speaking to Variety, Cameron never stops reminding us that he operates on a different playing field than anyone else in Hollywood. With “Avatar: The Way of Water” heading back into theaters for a quick re-release before “Avatar: Fire & Ash” drops this December, the director is telling us that assuming Avatar 4 and 5 are happening is wrong. The numbers have to work.

Do we make any money with “Avatar 3”? I mean, we’ll make some money. But the question is, what kind of a profit margin, if any, is there, and how much of an inducement is that to continue on in this universe? Or maybe we wait a while until we figure out how to bring costs down.

In another interview with the CrewCall podcast, Cameron again admitted that “Avatar 4” and “Avatar 5” aren’t guaranteed, pointing to how costly it is to make these films.

We spend a lot of money on these movies, and that’s kind of the banquet that we put before a global audience for the same ticket price as seeing some little indie. But the quid pro quo with that is we have to make a lot of money in order to continue.

Cameron also admitted the theatrical landscape just isn’t what it used to be. COVID gutted the box office, audiences never fully came back, and streaming rewired the culture. For him, the jury is still out on whether the old model can even support the massive resources that ‘Avatar’ demands. And while he’s already mapped out what happens if he gets to 4 and 5—including a storyline that finally lands us back on Earth—there’s a giant, underlined “if” hovering over the whole enterprise.

That being said, Cameron isn’t leaving audiences with a dangling middle chapter. He insists that ‘Fire & Ash’ will deliver a proper climax, while still leaving the door open for more if the global audience shows up.

Now, there’s really been no confirmation as to how much ‘Fire & Ash’ actually cost. Some reports had ‘The Way of Water’ budget going as high as $460M to produce, and that’s not including its massive marketing spend. Of course, that film ended up defying all expectations by earning $2.3 billion worldwide.

So, yeah, sure, I’m quietly hoping ‘Way of the Water’ makes $1 billion instead of $2 billion, because I want Cameron to go back to making non-Pandora movies—more specifically, ‘Ghosts of Hiroshima.’ Imagine Cameron tackling something intimate, harrowing, and human after spending decades in a world of fluggy mountains and bioluminescent oceans.

← Jason Bateman Set to Direct ‘The Partner’ With Tom Holland in Lead Role — Based on John Grisham’s Novel [Updated]Martin Scorsese Finally Tackles Harvey Weinstein’s ‘Gangs of New York' Meddling in New Doc →

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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RUMOR: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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