• Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_8319.jpeg
Maude Apatow’s ‘Poetic License’ Lands at Sony Pictures Classics After Row K Collapse

“Row K” acquired “Poetic License” out of TIFF last year, but Sony Pictures Classics has now stepped in and picked up the film. According to Variety, SPC is planning a release next year.

Read more →
IMG_8196.jpeg
‘Brand New Day’ Hits $1 Billion in Just Six Days; Record-Setting $47M Monday

The Marvel sequel has surpassed $1 billion worldwide in just six days, making it the second-fastest movie ever to reach the milestone.

Read more →
IMG_8317.webp
‘Ready Player Two’ Still Alive? Zak Penn Says He’s Currently Writing the Sequel

Zak Penn, who penned the first film, revealed that he is currently writing the sequel. It’s easily the biggest update we’ve gotten on “Ready Player Two” in some time.

Read more →
IMG_8315.jpeg
‘La Bola Negra’ Gets Historic 47-Day Theatrical Run From Netflix

The Spanish-language Oscar hopeful from Los Javis, Javier Calvo and Javier Ambrossi, will now hit theaters October 16, nearly three weeks earlier than planned, before arriving on Netflix December 2.

Read more →
IMG_8314.jpeg
‘Godzilla Minus Zero’ to World Premiere at 64th New York Film Festival

“Godzilla Minus Zero,” the highly anticipated sequel to Oscar-winning “Godzilla Minus One,” will have its world premiere at the 64th New York Film Festival on September 26.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • More
    • Yearly Top Tens
  • Interviews

James Cameron Says ‘Avatar 3' Has to “Make A Lot of Money" For the Franchise to Continue

October 3, 2025 Jordan Ruimy

If you’re sick and tired of ‘Avatar,’ there’s hope! For the franchise to continue, the upcoming third film will need to earn more than just $1 billion at the box office for the franchise to live another day.

Speaking to Variety, Cameron never stops reminding us that he operates on a different playing field than anyone else in Hollywood. With “Avatar: The Way of Water” heading back into theaters for a quick re-release before “Avatar: Fire & Ash” drops this December, the director is telling us that assuming Avatar 4 and 5 are happening is wrong. The numbers have to work.

Do we make any money with “Avatar 3”? I mean, we’ll make some money. But the question is, what kind of a profit margin, if any, is there, and how much of an inducement is that to continue on in this universe? Or maybe we wait a while until we figure out how to bring costs down.

In another interview with the CrewCall podcast, Cameron again admitted that “Avatar 4” and “Avatar 5” aren’t guaranteed, pointing to how costly it is to make these films.

We spend a lot of money on these movies, and that’s kind of the banquet that we put before a global audience for the same ticket price as seeing some little indie. But the quid pro quo with that is we have to make a lot of money in order to continue.

Cameron also admitted the theatrical landscape just isn’t what it used to be. COVID gutted the box office, audiences never fully came back, and streaming rewired the culture. For him, the jury is still out on whether the old model can even support the massive resources that ‘Avatar’ demands. And while he’s already mapped out what happens if he gets to 4 and 5—including a storyline that finally lands us back on Earth—there’s a giant, underlined “if” hovering over the whole enterprise.

That being said, Cameron isn’t leaving audiences with a dangling middle chapter. He insists that ‘Fire & Ash’ will deliver a proper climax, while still leaving the door open for more if the global audience shows up.

Now, there’s really been no confirmation as to how much ‘Fire & Ash’ actually cost. Some reports had ‘The Way of Water’ budget going as high as $460M to produce, and that’s not including its massive marketing spend. Of course, that film ended up defying all expectations by earning $2.3 billion worldwide.

So, yeah, sure, I’m quietly hoping ‘Way of the Water’ makes $1 billion instead of $2 billion, because I want Cameron to go back to making non-Pandora movies—more specifically, ‘Ghosts of Hiroshima.’ Imagine Cameron tackling something intimate, harrowing, and human after spending decades in a world of fluggy mountains and bioluminescent oceans.

← Jason Bateman Set to Direct ‘The Partner’ With Tom Holland in Lead Role — Based on John Grisham’s Novel [Updated]Martin Scorsese Finally Tackles Harvey Weinstein’s ‘Gangs of New York' Meddling in New Doc →

FOLLOW US!

Subscribe to our newsletter

Sign up with your email address to receive news and updates.

Thank you!
No results found

Trending

Featured
IMG_7776.webp
‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

Read more →
IMG_7775.jpeg
Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

Read more →
IMG_7752.jpeg
Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

Read more →
IMG_7512.jpeg
Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

Read more →

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026