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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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‘Practical Magic 2’ COLLAPSES On the Weekend — $29M+ Opening After Weak Walkups

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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David Fincher’s ‘The Further Mis-Adventures of Cliff Booth’ FINALLY Has A Trailer! [Updated]

Netflix has finally decided to stop teasing us with cryptic teasers and has given us an actual trailer for “The Further Mis-Adventures of Cliff Booth,” David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

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‘I Play Rocky’ Blows the Roof Off TIFF! Becomes Best Picture Contender, Critics Sharpen Knives

To say it blew the roof off the place would be an understatement. I don't think I've ever seen a Toronto audience — any festival audience — embrace a movie the way they did last night.

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Mahershala Ali Is Extraordinary in ‘Your Mother Your Mother Your Mother,' Strong Film With One Ending Too Many [TIFF]

Marvel killed “Blade,” so now here are Ali and Bassam Tariq with a small, strange, hand-made thriller in which Ali is a blade-carrying assassin. Nobody involved is pretending the timing is an accident.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Nosfeatu' Headed For Strong $20M Second Weekend

January 3, 2025 Jordan Ruimy

I’ve been keeping a close eye on “Nosferatu” at the box-office. The film already had a surprising $40M holiday opening, and its legs have been very good.

It’s not everyday that we get an auteur-driven movie making these kinds of numbers. Robert Eggers’ film racked up $3M last night, which is pretty damn good for a second Thursday. “Nosferatu” is now aiming for a very healthy $20M second weekend.

Maybe its success will get a few studio heads to wake up and realize that singular vision and artistry can still strive at the box-office, and I’m saying this despite my mixed feelings on the film. The strong reviews have certainly helped seal its fate, and there’s definitely a growing fanbase for Eggers’ brand of cinema.

One look at 2024’s top 20 highest-grossing films at the domestic box-office and you notice that only “Wicked” and “It Ends With Us” are non-IP, despite their being based on ultra popular source materials. It doesn’t need to be this way. Originals can and should still be able to make money. Hollywood just needs to stop being lazy by investing, and more importantly, believing in the product.

In most studio execs’ heads, only a select few filmmakers can drive a movie to box office glory in name alone; the usual suspects seem to be Christopher Nolan, Denis Villeneuve, James Cameron, Quentin Tarantino, and Steven Spielberg. I say, that’s total bollocks. There’s a hunger out there for auteur-driven films, but they just need to be marketed correctly and have people talking.

The marketing on “Nosferatu” has been great, kudos to Focus for the investment and time. They’re one of the few studios who “get” it. It does help that “Nosferatu” is a horror film and the genre has been absolutely booming at the box-office these last five or so years. What we’re seeing is a devoted legion of moviegoers who will go and watch almost any new horror movie that opens in theaters.

It shouldn’t come as much of a surprise that Alfonso Cuaron, The Coen Brothers, and even Christopher Nolan all recently expressed interest in making a horror film. Hell, even Steven Soderbergh is about to release his first one (“Presence”) later this month.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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