• Interviews
    • Yearly Top Tens
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_6812.jpeg
Anya Taylor-Joy Confirmed to Star in ‘The Hunt For Gollum’
IMG_6810.jpeg
Steven Spielberg Says He Would Never Make a Netflix Movie: “I’m a Moviemaker Who Believes in 70mm Theatrical”
IMG_6797.jpeg
Duffer Brothers’ Mysterious Film at Paramount Gets November 2028 Release Date
IMG_6794.jpeg
‘Evil Dead Burn’ Faces NC-17 Over “Brutal” Scene, Director Forced to Cut for R Rating
IMG_6789.jpeg
Clive Owen to Star in ‘The Tribe’ Director Myroslav Slaboshpytskyi’s ‘Radioactive’
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

World of Reel

  • Interviews
  • More
    • Yearly Top Tens

Quentin Tarantino Says Hollywood is Dead and 2019 “Was the Last Year of Movies"

January 28, 2025 Jordan Ruimy

Quentin Tarantino really seems fed up with the movie industry.

In a surprise interview at the Sundance Film Festival on Monday, Tarantino decided to take aim at Hollywood and, more particularly, streaming services for contributing to the death of the moviegoing experience.

“What the f--- is a movie now? Something that plays in theaters for a token release for four f---in’ weeks, and by the second week you can watch it on television? I didn’t get into all this for diminishing returns,” Tarantino said.

The “Pulp Fiction” filmmaker said that theatrical releases have gotten “drastically worse” since his last film, 2019’s “Once Upon A Time in Hollywood.” He’s primarily taking aim at studios’ “show pony exercise” and their not giving movies proper theatrical bows by instead dumping the titles on streaming after just a few weeks in theaters.

Well, what the fuck is a movie now? What — something that plays in theaters for a token release for four fucking weeks? All right, and by the second week you can watch it on television. I didn’t get into all this for diminishing returns. I mean, it was bad enough in ’97. It was bad enough in 2019, and that was the last fucking year of movies.

If you read this website, then you might already know that I wholeheartedly agree with Tarantino on this one. It’s infuriating to watch studios dump their successful films on streaming after just a few weeks of theatrical play.

The most recent blatant example was “Wicked,” which, in late December, was still racking up some big money at the domestic box-office, but Universal decided that a month was more than enough time to throw it online.

Welcome to the new normal, where studios have found a way to make considerable profit out of rushing their new titles to digital. The whole thing completely devalues the worth of cinema.

← Gareth Evans' ‘Havoc' Set for Spring Release [Updated]Ruben Östlund’s ‘The Entertainment System Is Down’ Starts Filming →

FOLLOW US!

No results found

Trending

Featured
Capture.PNG
What’s the Best Four-Film Run by a Director?
IMG_6348.jpeg
Clint Eastwood Turns 96 as Son Kyle Says the Legendary Director Has “Retired”
IMG_6339.webp
Martin Scorsese’s $200M Hawaii Mob Movie Nears Greenlight as Major Rewrite Set to Be Submitted to 20th Century
IMG_6307.jpeg
Robert De Niro Teases “At Least One More” Movie With Martin Scorsese

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025