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May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

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Cory Finley's 'Reasonable People,' Starring Paul Rudd and Sam Rockwell, Shoots This Fall

Cory Finley, a talented filmmaker, has directed three films so far: "Thoroughbreds" (2017), "Bad Education” (2020), and "Landscape with Invisible Hand.”

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Bassam Tariq Says Making ‘Blade' at Marvel Was ‘“a Different Thing”: “Somebody Else Is Running This”

Bassim Tariq was the first one in the chair. The "Mogul Mowgli" director spent two years building out the Mahershala Ali vehicle before exiting in 2022, and he's now letting the air out on this one.

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‘The Family Stone’ Sequel Greenlit at Searchlight, Fall Shoot, Reunites the Entire Cast — Except Diane Keaton

Claire Danes, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider, and Brian White will all be back.

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Critics Are Fighting About ‘Fjord’ at TIFF; Sebastian Stan: “Not A MAGA Movie”

I was curious how Cristian Mungiu's "Fjord" would be received this fall. The Palme d'Or winner has become a culture-war flashpoint, and critics are more split on it than you might expect.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Controversy: ‘The Brutalist' Used A.I. on Adrien Brody

January 19, 2025 Jordan Ruimy

With A.I. becoming more prominent in filmmaking, I think it may be time to accept that it’s here to stay and will, to some extent, will continue to be used But how far should they go? One mention of A.I. in the film industry, and people start to shudder. Total meltdowns occur. A.I. in Hollywood represents not just the stifling of human creativity, but also the loss of many jobs.

I gave this story 24 hours to see if it would amount to anything. Since I’m now writing about it, that means the controversy hasn’t subsided. This seems to be a big deal, and if you agree with certain corners of social media, could cost “The Brutalist” some Oscars.

For those of you who haven’t heard, “The Brutalist” editor Dávid Jancsó admitted in an interview that he used generative AI, Respeecher, a vocal AI program, to presumably adjust Adrien Brody’s Hungarian in the film, as well as Midjourney to design buildings for a sequence near the end. These buildings were redrawn by an artist before being put in the film.

I have no opinion about the usage of AI for vocalization correction, but I’m sure many of our readers do. Apparently, plot twist, it turns out the exact same technology was also used on Selena Gomez’s vocals in “Emilia Perez,” and clearly, it didn’t do a good job since there’s been much criticism surrounding the noticeable lack of authenticity in Gomez’ Spanish.

How about using AI on actual imagery? Do we draw the line there? “The Brutalist” used it, and although an artist did the “redesign” afterwards, what you see in the film is based on AI art. This example is the definition of what many in the industry are worried about when it comes to AI: a lack of human hands being involved in the creative process.

Will this affect “The Brutalist” and Brody’s chances at the Oscars? Why is Jancsó coming out and saying this now? We’re reaching the most critical part of awards season, where almost every big contender is put under the microscope. Someone amusingly mentioned how Jancsó must have placed a huge bet on Timothee Chalamet to come out and say these thinhs.

With a little more than a month to go before the 97th Academy Awards, “The Brutalist” and “Brody” are the frontrunners to win their respective categories. The last thing A24 wanted was to hit a roadblock. There are many out there who see the usage of AI as a “performance-enhancing” tool, and while Brody has been earning non-stop praise for his portrayal of a Holocaust survivor and architect, some voters might not be so keen in rewarding a performance that wasn’t 100% human delivered.

← Paul Thomas Anderson's ‘Baktan Cross' Test Screening This Week; 3 Hour Runtime‘Wolf Man’ C- CinemaScore; Weak $10M Opening →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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