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Werner Herzog's ‘Grizzly Man' Joins the Criterion Collection — Plus ‘The English Patient,’ ‘Nashville' and ‘Shop Around the Corner’

Criterion's December lineup has some great additions to the library, but the title that jumped out at me is Werner Herzog's "Grizzly Man," which officially joins the Collection on December 8.

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Robert De Niro to Play Tommy Lasorda in Reid Carolin's ‘Tommy & Me'

De Niro is in talks to play legendary Los Angeles Dodgers manager Tommy Lasorda in “Tommy & Me,” a sports drama Reid Carolin will direct for Skydance Sports.

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Quentin Tarantino to Publish ‘The Adventures of Cliff Booth' Novel, Out December 8

The book is titled "The Adventures of Cliff Booth," which, if you've been following along, was the original title of Fincher's film before it was renamed "The Further Mis-Adventures of Cliff Booth."

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Zack Snyder Says the ‘Last Photograph' Negative Reviews Were “100%” About Him and Not the Movie

Zack Snyder woke up in Toronto the morning after his premiere and did the one thing no filmmaker should ever do the morning after: he opened X.

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‘The Life and Deaths of Wilson Shedd': Amanda Seyfried and Scoot McNairy Power Tim Blake Nelson's Best Film Since ‘The Grey Zone' [TIFF]

Tim Blake Nelson has been making films for thirty years and hasn't directed a narrative feature in more than ten. "The Life and Deaths of Wilson Shedd," is the best thing he's done since "The Grey Zone.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Telluride: ‘Nickel Boys' is “Avant-Garde" and “Experimental"

August 31, 2024 Jordan Ruimy

First reactions to RaMell Ross’ “Nickel Boys” make it sound way more adventurous than initially believed. Apparently, the 140-minute film has an “experimental” narrative and is being described by some as “avant-garde.” Here’s a description:

The majority of “Nickel Boys” is shot in first-person POV, with perspective alternating between the two leads throughout. There are also some sequences of fixed-camera third-person POV shots. The film is in a 4:3 aspect ratio, and there are several sequences of stock footage, recordings of historical events, and even snippets of other films interspersed throughout

A reader described the first person POV usage as “feeling like a video game,” constantly playing with perspective, in ways that will either frustrate or exhilarate the viewer.

Raves are coming in from RogerEbert, IndieWire, Vanity Fair, THR, The Wrap and Next Best Picture. Meanwhile, writers from Variety, Awards Daily, Hollywood Elsewhere and Film Inquiry are mixed.

Here’s THR’s Scott Feinberg covering the divisive reactions:

Reactions among attendees, including numerous Academy members, have been strongly divided — many were impressed and deeply moved by the film, while others were left cold by it — leaving its Oscar prospects somewhat up in the air.

Editors may applaud the way that film editor Nicholas Monsour splices montages of footage of assorted things into the larger story. But for others, the relevance of that footage to the larger story isn’t always clear, and it makes a film that is quite long (two hours and 20 minutes) and challenging (it is relentlessly, heartbreakingly sad) feel even longer.

“Nickel Boys,” an adaptation of Colson Whitehead’s Pulitzer Prize–winning novel, follows two boys whose close friendship helps sustain their hope even as the horrors mount around them at the Nickel Academy, which becomes a microcosm of American racism in the mid-20th century.

The film stars Ethan Herisse, Brandon Wilson, Hamish Linklater, Fred Hechinger, Daveed Diggs, and Aunjanue Ellis-Taylor.

This is Ross’ narrative debut. He previously hailed the poetic and visually stunning documentary ‘“Hale County This Morning.” Amazon MGM Studios’ Orion Pictures will release “Nickel Boys” in theaters on Friday, October 25.

← ‘Reagan' Critic and Audience Disparity Isn't Surprising‘Conclave' Screens at Telluride to Very Positive Reactions; Oscar-Worthy Ralph Fiennes →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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