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'Cosmic Motors,' John Lasseter's First Film in 15 Years, Moves from Netflix to Paramount Theatrical Release

Netflix and Skydance Animation have also called it quits. The two sides announced Monday that they're ending the animated film deal struck back in 2023, framing it as a mutual decision.

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Edward Berger’s Lance Armstrong Biopic, Starring Austin Butler, Starts Production in January

Edward Berger seems to have settled on what comes next. His Lance Armstrong biopic, starring Austin Butler, is now holding casting calls, with production eyed for January.

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Ramin Bahrani’s ‘Last Meals’ to Star Mads Mikkelsen, Boyd Holbrook, Michael Shannon, and Tessa Thompson

In "Last Meals," Mikkelsen stars as Walter Karat, a disgraced former White House chef now preparing final meals for death row inmates at a maximum security prison.

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‘NAZA’: Israel Moves to Strip Citizenship From Oscar-Winning Filmmakers Behind Gaza Doc

After its much-reported Venice premiere, Israel's culture minister is vowing to strip citizenship from the two Israeli filmmakers behind "NAZA."

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Chris Rock’s ‘Misty Green’ Premieres, Rosalind Eleazar Stuns — 73 on Metacritic [TIFF]

I wouldn't call this film great — it stops short of that because of how neatly it resolves itself — but I'll give Rock his due here: this is much better than his previous directorial effort, "Top Five."

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Zoë Kravitz Defends Her Love for Roman Polanski's Films

August 14, 2024 Jordan Ruimy

Zoë Kravitz keeps hitting it out of the ballpark with every interview. I love this gal. She’s about to unleash her “Pussy Island” theatrically next week, and with this debut comes a lot of press.

In a newly published interview, Kravitz is telling Esquire that she doesn’t give a f*ck if you hate Roman Polanski, his great films are what matters to her. Kravitz specifically cites her admiration for “Rosemary’s Baby” and “The Tenant,” which she says are two of her all-time favorite films.

Kravitz admits that her stance is “controversial,” but adds that she has no difficulty separating the art from the artist. “It’s okay that somebody bad was involved in something good,” she says by way of explanation. “What are we supposed to do, get rid of America?”

She’s right. What are we supposed to do, exactly? Just pretend that “Chinatown,” “Rosemary’s Baby,” “Repulsion,” “The Tenant,” “The Ghost Writer,” “An Officer And A Spy,” “Tess,” and “The Pianist” never existed? F*ck that.

Polanski is without a doubt one of the great European filmmakers. Too bad his issues nearly ruined his life and career. Controversy followed him everywhere he went and, for many, there’s no escaping the dirty baggage— they refuse to watch any of his films.

Cannes and Venice have consistently defended Polanski’s works. Here’s Venice boss, Alberto Barbera, in a 2023 interview, defending the inclusion of Polanski’s latest film, “The Palace,” inside that year’s lineup:

Polanski is one of the last great masters of European cinema. He made huge mistakes 50 years ago. He recognised that he was guilty [in the case involving the 13-year-old]. He asked to be forgiven by the victim, and the victim gave her forgiveness. I’m not a judge who is asked to make a judgment about the bad behaviour of someone. I’m a film critic, my job is judging the quality of his films. But of course, it’s a very difficult situation.

Barbera stressed that distinctions must be made “between the man and the artist. We can still admire their work. I’m pretty sure in some decades’ time, everyone will have forgotten about the history of the rape from Polanski, but they will still admire his films.”

Later in the interview, Kravitz goes on to namecheck Tarantino, PTA, Fincher, Scorsese and the Coen brothers as influences. The girl’s got taste.

← ‘Alien: Romulus' Reviews — 63 on Metacritic‘Pussy Island' (‘Blink Twice') Earns Very Positive Reviews →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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