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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Paul Schrader Calls Jane Schoenbrun “The Most Original Voice in Film" of the Last Decade

May 5, 2024 Jordan Ruimy

Jane Schoenbrun’s “I Saw the TV Glow,” which screened, to rave reviews, at this past January’s Sundance Film Festival, is now in theaters. I’ll have a review out for this one in a few days.

I was not a fan of Schoenbrun’s last film, “We’re All Going to the World’s Fair,” which struck me as a tad too elaborate for its own good — and a failed attempt at pulling off a David Lynch movie for Gen Z-ers. If you read the reviews for “I Saw the TV Glow,” there’s again a lot of comparisons to Lynch as Schoenbrun again tackles possessed media.

A major Schoenbrun fan is Paul Schrader. After seeing ‘TV Glow’ he took to his Facebook account to rave about the film and the filmmaker behind it:

JANE SCHOEBRUN is hands down the most original voice in film in the last decade. But also confounding. Do "We're All Going to the World's Fair" and "I Saw the TV Glow" have a genuine niche in the commercial indie horror market or are they unicorns? Either way, they are a wonder to behold.

Yes, Schoenbrun’s films are “original,” but they also very much follow the same blueprint (surrealist, dreamlike and spooky qualities) that David Lynch made all his own with “Eraserhead,” “Twin Peaks,” “Lost Highway,” “Inland Empire” and “Mulholland Drive.”

“I Saw the TV Glow” has been getting very good reviews. It has an 88% on Rotten Tomatoes and 85 on Metacritic. Some of the reviews are even using the “M” word (masterpiece) — major fans include The New Yorker’s Richard Brody, IndieWire’s David Ehrlich, and Vanity Fair’s Richard Lawson.

So, what is “I Saw the TV Glow” about? That’s where things get a tad complicated as there really isn’t a clear consensus as to what the accumulation of all of its mysteries results in. It’s filled with metaphorical imagery. With that said, it’s visually stunning. The usage of purple is wonderful. It’s pure Lynchian vibes.

The gist of the plot has to do with a teenager struggling through life in the suburbs when suddenly his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own, and where reality and fiction start to blur.

“I Saw the TV Glow” is currently playing in L.A. and NYC and expands to more cities this coming Friday.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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