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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Rumors' is the Most Accessibly Goofy Film Guy Maddin Has Made [Cannes]

May 19, 2024 Jordan Ruimy

Guy Maddin's “Rumours” screened last night and it's his goofiest, most mainstream film to date. Working as a sort of comedy-satire that delves into the lunacy of governing.

The bare bones of the story have to do with a G7 meeting, where the leaders of Canada, the United States, Germany, Japan, Italy, UK and France are trying to draft a bill. These leaders of the free world suddenly get lost in the woods, their aides and security have also disappeared, and all cell phone signals are dead. It turns out that the world is in the midst of a zombie apocalypse.

It doesn't help that Maxime, the Prime Minister of Canada (Roy Dupuis, sporting a man bun), still isn't over the recent fling he had with the British PM Cardosa Dewindt (Nikki Amuka-Bird). The German Chancellor (Cate Blanchet, as always, the standout) tries to take advantage of the split by shagging with him in the woods. Meanwhile, the US President (Charles Dance), in his 80s, keeps snoozing at the most inopportune of times.

Evan Johnson and Maddin’s script is sharp, as it keeps poking fun at the stereotypical traits of recent leaders. It’s hard not to see Angela Merkl in Blanchett’s stern Chancellor. There’s also a little bit of Trudeau in Dupuis’ Canadian PM — at some point he attacks one of the leaders who claims he isn’t a real feminist (“I LOVE strong women!”). However, much will be discussed about Dance’s performance — he plays it sleepy when depicting the elderly U.S. president (no doubt a riff on Joe Biden).

Even as the world around them burns, and they get a glimpse at masturbating zombies, a giant-sized brain and scares happening all around them, these leaders are still dead set in drafting their airy joint statement. Denis Ménochet’s French President, Sylvain Broulez, is a blowhard who pulls his leg and has to be carried on a wheel wagon as he writes the draft on a laptop.

Maddin mocks the way all of these leaders use airy, non-committal language to confide their points across to the general public; promises that mean nothing, and the notion that they’re as lost as any of us in solving the world’s problems. All seven leaders turn out to be inspired comic creations, and I haven’t even mentioned Italy’s bumbling and always-confused PM, Antonio Lamorte (Rolando Ravello).

That’s what makes this goofball film such an easy and breezy watch. Kudos to Kristian Eidnes Andersen’s soap opera-ish score which only heightens the deadpan absurdity of the whole thing with over-the top organ.

Alicia Vikander shows up much later in the film as the president of the European Commission, Celestine Sproul. When Maxime finds her in the woods with the aforementioned brain — which keeps the surreal going — he realizes that Celestine can’t speak English anymore, only Swedish. Must be something in the air.

It’s obvious Maddin, one of the most original and eccentric filmmaking voices out there, just wanted to make a fun movie. That doesn’t mean that “Rumours” isn’t cinematically gorgeous to look at. DP Stefan Ciupek uses lush and foggy atmosphere, with lots of greens and purples, to convey a surreal mood to what is essentially a midnight movie.

The film can feel airy at times, there’s not much at stake here, even with zombies lurking around every corner, but it’s hard not to like a film that has the Italian PM constantly passing around slices salami he stole from the lunch buffet. [B]

← Francis Ford Coppola Hasn’t Read or Seen Negative ‘Megalopolis’ ReviewsAustin Butler Doesn't Deny He's in ‘Heat 2': “No Comment" →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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