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Ben Affleck’s ‘Animals’ Has A Trailer

Following “Air,” this is Affleck’s latest stint behind the camera. He has cast himself in the lead role, alongside Kerry Washington, Steven Yeun, and Gillian Anderson (“The X-Files”).

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Jim Caviezel Returns to Studio Movies with Sony's ‘Ghost Soldier' — His First Hollywood Movie Since 2014

Caviezel hasn't led a major studio release since TriStar's "When the Game Stands Tall" in 2014. That changes in November with Sony's "Ghost Soldier."

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‘River': Horror Movie Sells to Universal and Blumhouse for $10M+ TIFF 2026’s First Big Deal

Still no distributor for "Bucking Fastard," "Alpha Gang," "The Last Photograph," "Closing Night," and "The Life and Deaths of Wilson Shedd." The issue seems to be quality more than a lack of willingness to buy.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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‘Minotaur' Trailer: Andrey Zvyagintsev's Cannes Grand Prix Winner Gets November Release from MUBI

"Minotaur" won the Grand Prix at Cannes. A two-time Oscar nominee who already has the Golden Lion for "The Return," Best Screenplay at Cannes for "Leviathan," and the Jury Prize in 2017 for "Loveless.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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First Look at ‘Nightbitch'

July 18, 2024 Jordan Ruimy

A marked absence at last year’s fall fests was Marielle Heller’s “Nightbitch,” starring Amy Adams. What was even murkier were Searchlight's release plans for the film. Three years ago, they spent $25 million in a competitive bidding war for “Nightbitch” only to then completely disappear from our radar.

We now have our first look images of “Nightbitch” via Vanity Fair. I wouldn’t be surprised if a trailer shows up in the next few days.

“Nightbitch” has set up a world premiere at the Toronto International Film Festival in September. This means no Venice or Telluride for the film — could be a red flag. Here’s what I wrote about the film on 05.12.24:

Searchlight has set up a December release for “NightBitch.” Last year, there had been some rumblings about a straight-to-Hulu debut. Regardless, it does sound like the kind of idiosyncratic film that deserves to be seen, but is it any good? That December date does hint at potential awards potential.

“Nightbitch” test-screened last March. The two reactions I had received were polar opposites:

Reaction #1: I liked it a lot. Surreal feminist fable that somehow worked. Not sure how to describe this movie, other than despite the outrageous concept I found it had a lot of insight about motherhood and shattered the preconceptions we might have about it. Amy Adams kind of owns this movie. It doesn’t strike me as an “Oscar movie,” but neither did EEAAO. Definitely veers into genre territory.

Reaction #2: I’m still not sure why someone decided to make this movie. I love Amy Adams and she’s great as always here but it’s super strange just for the sake of being strange. Some odd storytelling and unnecessary subplots. She literally feels and turns into a dog and it’s supposed to tell us something about motherhood. It’s also a very ugly movie to look at.

Back in July of 2020, Annapurna Pictures won an auction and landed the rights to Rachel Yoder’s debut novel, “Nightbitch”. Then Searchlight acquired the film from floundering Annapurna. Heller was soon announced as the writer-director.

The film’s plot is total dark absurdism. A neo-horror thriller starring Adams as an overworked woman who is convinced she's, quite literally, turning into a dog. Here’s a more descriptive plot synopsis:

Exposing the absurd and feral truths of motherhood, Nightbitch is a darkly comedic telling of an unnamed woman and former artist, thrust into stay-at-home domesticity after the birth of her son, who becomes increasingly worried and convinced that she may be turning into a dog.

Heller’s debut was Sundance sensation “The Diary of a Teenage Girl.” This was followed by the critically-acclaimed “Can You Ever Forgive Me.” She then dabbled into mainstream filmmaking with the mostly-enjoyable “A Beautiful Day in the Neighbourhood.”

Adams, a six-time Oscar nominee, is a great actress. There’s no reason to doubt that she’ll again deliver the goods in “Nightbitch.”

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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