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‘Spider-Man: Brand New Day’ Shatters Thursday Preview Record With $75M, Targets Historic Opening
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Warner Bros. and Paramount Are Making Separate, Competing ‘A Nightmare on Elm Street’ Remakes
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Does John Boorman’s ‘The Exorcist II: Heretic’ Deserve Reappraisal? New Doc (and Scorsese) Make the Case
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The 25 Best Documentaries of All-Time, According to THR
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Denis Villeneuve’s ‘Dune 3’ “Goes Beyond” ‘Messiah’ and Into Something “No One Expected”
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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

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Johnny Greenwood Will Score Paul Thomas Anderson's Latest Film

May 10, 2024 Jordan Ruimy

Here’s confirmation that Johnny Greenwood, the guitarist and backbone of Radiohead, will be comping Paul Thomas Anderson’s upcoming film, starring Leonardo DiCaprio, Sean Penn, Regina Hall, Teyana Taylor and Alana Haim. After a few months break, the film is starting back production.

This is set to be their sixth collaboration together,

I’m incredibly lucky that Paul indulges me and gives me so much time to experiment and compose […] That’s not usually the case in Hollywood, where the soundtrack writers are often very far down the food chain, and are sometimes given only a couple of days to bash out a complete score.

Greenwood has been composing his iconic brand of violin-tinged scores for nearly two decades. He’s collaborated with PTA on many of his films, scoring 2007’s “There Will Be Blood”, 2012’s “The Master”, 2014’s “Inherent Vice”, and 2018’s “Phantom Thread” — the latter of which garnered him an Oscar nomination.

Greenwood’s last few compositions occurred three year ago, that’s when he scored Jane Campion’s “Power of the Dog,” and Pablo Larrain’s “Spencer.”

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