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Werner Herzog's ‘Grizzly Man' Joins the Criterion Collection — Plus ‘The English Patient,’ ‘Nashville' and ‘Shop Around the Corner’

Criterion's December lineup has some great additions to the library, but the title that jumped out at me is Werner Herzog's "Grizzly Man," which officially joins the Collection on December 8.

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Robert De Niro to Play Tommy Lasorda in Reid Carolin's ‘Tommy & Me'

De Niro is in talks to play legendary Los Angeles Dodgers manager Tommy Lasorda in “Tommy & Me,” a sports drama Reid Carolin will direct for Skydance Sports.

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Quentin Tarantino to Publish ‘The Adventures of Cliff Booth' Novel, Out December 8

The book is titled "The Adventures of Cliff Booth," which, if you've been following along, was the original title of Fincher's film before it was renamed "The Further Mis-Adventures of Cliff Booth."

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Zack Snyder Says the ‘Last Photograph' Negative Reviews Were “100%” About Him and Not the Movie

Zack Snyder woke up in Toronto the morning after his premiere and did the one thing no filmmaker should ever do the morning after: he opened X.

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‘The Life and Deaths of Wilson Shedd': Amanda Seyfried and Scoot McNairy Power Tim Blake Nelson's Best Film Since ‘The Grey Zone' [TIFF]

Tim Blake Nelson has been making films for thirty years and hasn't directed a narrative feature in more than ten. "The Life and Deaths of Wilson Shedd," is the best thing he's done since "The Grey Zone.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Victor Erice's ‘Close Your Eyes' FINALLY Picked Up For U.S. Distribution

April 2, 2024 Jordan Ruimy

Victor Erice’s “Close Your Eyes,” which is a lock for my 2024 top 10 list, has finally been acquired by a U.S. distributor. The Film Movement will be releasing the film in the current or next quarter of 2024. Movie fans are in for a real treat. (via IONCINEMA)

Here’s what I wrote after seeing it at Cannes:

Director Victor Erice’s first fiction film in more than 40 years is a love letter to cinema, and delivered via the story of a disappeared Spanish actor. He vanished during the filming of a movie. His body was never found. The police concluded that he suffered an accident at the edge of a cliff. His best friend believes he might have run away. It’s 169 minutes, a slow-burn with talky dialogue that builds to an emotionally powerful final scene. One for the ages.

Erice’s fourth film was one of the best films of last year’s Cannes lineup. In fact, people were puzzled by its absence from the main competition. What happened? This was Erice’s first fiction film in over 40 years.

The filmmaker published a letter in Spanish outlet El Pais claiming that he’d been hoodwinked by Cannes not putting his film in competition. Erice claimed that he sent a "work in progress" on Quicktime format to the festival, but without the final grading and mixing, on March 24. He went on to add that the Directors Fortnight sidebar wanted it as their opening film, but that he was waiting for a sign from Cannes to tell him if the film was in competition or not.

Then, a few weeks later, the Cannes lineup was announced and he was surprised by its inclusion in the “Cannes Premiere” section. Erice added that Venice also wanted the film, but Cannes didn't contact him before the lineup announcement which left him “blindsided.” He stated that if he’d known his film wouldn’t compete for the Palme d’Or then he would have premiered it elsewhere.

This is why Erice decided not to attend Cannes, to protest the “absence of dialogue” he had with the festival. His film only had one true screening on the Croisette; the second one was at a multiplex, a lengthy bus ride away from the festivities.

Erice broke out with his masterful 1973 debut “The Spirit of the Beehive”. In the half-century since his debut he has directed just three other full-length features (“El Sur”, “The Quince Tree Sun” and “Close Your Eyes”).

← ‘Kingdom of the Planet of the Apes' is 2 Hours 25 Minutes — Franchise RecordBertrand Bonello's ‘The Beast' is A Lynchian Mind-Bender [Review] →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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