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‘The Black Ball’ Sparks Bidding War at Cannes, With A24, Netflix and Mubi
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Doug Liman’s ‘Bitcoin’ Will Have AI-Enhanced Versions of Zuckerberg, Putin, Kim Jong Un and Eric Trump
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‘The Mandalorian’ With Soft $11-12M in Thursday Previews — Lower Than ‘Solo,’ Delivering Another Warning Sign for Star Wars
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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

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‘Oppenheimer' Wins ASC

March 4, 2024 Jordan Ruimy

“Oppenheimer” DP Hoyte van Hoytema has won the American Society of Cinematographers, the most prestigious awards body of the craft. I guess the ASC loved all the close-up shots in Nolan’s film. This quite nicely sets up van Hoytema to win his first Oscar come next Sunday.

Van Hoytema has been Nolan’s go-to DP since 2014’s “Interstellar.” Before that, Wally Pfister had shot all of Nolan’s films, but he decided to branch out into directing (“Transcendence”), to mixed results. He’s also been shooting commercials. You think he regrets the decision to stop working with Nolan?

Van Hoytema works both the epic and the intimate, placing light sources outside the primary setting and downplaying light’s importance. There’s subtlety to his colors and lack of overexposure. The colors are muted, but gorgeous. His other non-Nolan credits include “Her,” “Let the Right One In,” “The Fighter,” “Tinker Tailor Soldier Spy” “Ad Astra” and “Nope.”

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