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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Civil War': Alex Garland Says “Both Sides" to Blame for U.S. Polarization

March 16, 2024 Jordan Ruimy

A lot has been said in regards to Alex Garland’s recent comments about his call not to choose a political side in his upcoming “Civil War.” Instead, Garland made the decision that his film should tackle the inherent risks involved in a polarized country.

Most of the negative response has come from people attacking Garland for “bothsideism” and wanting him to be more explicit about today’s risks to U.S. democracy. Garland isn’t biting, he says the last thing he wanted his film to be was a “lecture.”

The filmmaker has rather decided to take on a more apolitical approach to “Civil War” — which is said to be about how disunity, lack of debate and polarization can lead to the resulting violence in the film. The comments that his detractors have zeroed in on stem from an interview Garland gave to THR, here’s a pull quote from it:

Why are we talking and not listening?We’ve lost trust in the media and politicians. And some in the media are wonderful and some politicians are wonderful—on both sides of the divide. I have a political position and I have good friends on the other side of that political divide. Honestly, I’m not trying to be cute: What’s so hard about that? Why are we shutting [conversation] down? Left and right are ideological arguments about how to run a state. That’s all they are. They are not a right or wrong, or good and bad. It’s which do you think has greater efficacy? That’s it. You try one, and if that doesn’t work out, you vote it out, and you try again a different way. That’s a process. But we’ve made it into ‘good and bad.’ We made it into a moral issue, and it’s fucking idiotic, and incredibly dangerous … I personally [blame] some of this on social media. There is a an interaction that exists human-to-human that floats away when it reaches a public forum.”

This past week, “Civil War” garnered polarized reactions when it screened at the SXSW Film Festival. I’m only supposed to catch it during the first week of April, but are we at all surprised that a film warning us about the divisive nature of the country would, gosh, turn out to be so divisive?

The heroic figures in “Civil War” are journalists, and, supposedly, the main ones are conservative, not liberal, which was a purposeful creative decision made by Garland. He didn’t want to take sides — that’s also why Texas and California, for some reason, are allied forces in the film.

Garland believes it “wasn’t necessary to lay out current-day politics” in “Civil War,” he’s more inclined to describe the film as being about the “dangers of polarization."

“Civil War” was shot in the spring of 2022 and, by all accounts, was supposed to be released last year only to be delayed for this election year. The AP has called Garland's film an "election year provocation," and said it was a "bold gamble to capitalize on some of the anxieties that have grown in highly partisan times and ahead of a potentially momentous November presidential election."

Jeff VanderMeer, whose novel, “Annihilation,” Garland turned into a well-received 2018 sci-fi film, retweeted Garland’s comments about “both sides” being responsible for the current state of the country … he’s not a fan.

← Peter Weir Says He is Definitely Retired: “I Have No More Energy"Christopher Nolan Calls ‘Godzilla Minus One ’ a “Tremendous Film" →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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