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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Filmmakers Very Upset About Potential ‘Coyote vs Acme’ Shelving

February 11, 2024 Jordan Ruimy

The Wrap’s Stephanie Kaloi has a good piece up recaping the industry pushback in regards to Warner Bros potentially shelving “Coyote vs Acme.”

The response has not been coming from the biggest of names, what does that tell you? It’d be more effective to have a Bradley Cooper, Tom Cruise or Martin Scorsese come out and condemn Warner Bros’ actions, but the truth is that they won’t and they can’t.

“Spider-Verse” writer/producer Phil Lord wrote a handful of posts on X in which he questioned the studio’s motivation and operational ethics:

Is it anticompetitive if one of the biggest movie studios in the world shuns the marketplace in order to use a tax loophole to write off an entire movie so they can more easily merge with one of the other biggest movie studios in the world? ‘Cause it SEEMS anticompetitive

“Scott Pilgrim Takes Off” writer BenDavid Grabinski wrote that “Coyote vs. Acme” made him “cry” and he “hope(s) people get to see it,” to which Lord replied, “Big laughs. Big heart. Big ideas. Plays better than many films that will be released theatrically this year.”

Zack Stentz, a screenwriter, says the ‘Coyote vs Acme’ axing concerns him about the future relationships between studios and creative minds. He responded to Jeff Sneider who had no gripes about Warner Bros not releasing the film.

The entertainment industry runs on relationships with talent. And if a studio gets the reputation for being a place that will bury your film to get a tax break, that damages relationships with writers, directors, and actors

Joe Russo weighed in with a warning for Warner Bros. in light of the recent SAG-AFTRA and WGA strikes:

Studios cannot keep shelving movies for tax credits. It’s unfair to the cast & crew. It’s unfair to taxpayers. It’s unfair to audiences. If a good Looney Tunes movie isn’t viable, what is? Lawyers need to work penalties in. The gov. needs to step up. Or in 2026, unions will.

Meanwhile, I do wonder, is Warners actually going to destroy all copies of the movie? Writer, producer and director Liz Hannah suggested that perhaps someone should take matters into their own hands …

I’m not saying someone should leak the movie but if someone leaked the movie maybe we could watch the movie that was leaked and tell the people who didn’t want it leaked that the movie that was leaked was great and they were dumb for not releasing the movie before it was leaked.

So, what happens next? My prediction is that “Coyote vs Acme” will eventually get leaked online. Someone should have a copy somewhere that the studio doesn't know about. Usually, an assortment of people would have a copy of the film through post production — editor, director, assistants, etc .. This is certainly looking like the best case scenario for the filmmakers of this movie.

← Re-Release of Pixar’s ‘Turning Red’ Bombs at the Box-Office, $500k WeekendHalle Berry Offered the Role of Denzel's Wife in Spike Lee's ‘High and Low’ →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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