• Home
  • Reviews
  • Interviews
  • Lists
    • Yearly Top Tens
    • Trailers
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
BREAKING: Netflix Wins Bidding War to Acquire Warner Bros.
IMG_0988.jpeg
Matt Reeves Defends Paul Dano After Quentin Tarantino Calls Him “The Limpest Dick in the World”
IMG_0984.jpeg
Darren Aronofsky to Direct Gillian Flynn-Penned Erotic Thriller for Sony
Screenshot 2025-12-04 154349.png
‘Men in Black 5’ Eyes Will Smith Return
AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
Featured
Capture.PNG
Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

World of Reel

  • Home
  • Reviews
  • Interviews
  • Lists
  • More
    • Yearly Top Tens
    • Trailers

AFI's Top 10 of 2024 Includes Every Major Best Picture Contender

December 5, 2024 Jordan Ruimy

The American Film Institute (AFI) has unveiled its list of the 10 best films of the year, and surprisingly, this is my exact predicted ten to be best picture nominated at next year’s Oscars.

AFI’s TOP 10

“Anora” (Neon)
“The Brutalist” (A24)
“A Complete Unknown” (Searchlight Pictures)
“Conclave” (Focus Features)
“Dune: Part Two” (Warner Bros.)
“Emilia Pérez” (Netflix)
“Nickel Boys” (Amazon MGM Studios)
“A Real Pain” (Searchlight Pictures)
“Sing Sing” (A24)
“Wicked” (Universal Pictures)

Since this is a copy-paste identical list to what might be our best picture nominees, there were zero surprises on my end — all of these films were predicted to appear on the AFI list. If you want to go the omissions route then, I guess, we can surmise that other films vying for Oscar attention, such as “Gladiator II,” “Juror #2,” “The Piano Lesson,” “Blitz," and “Challengers” were snubbed.

The AFI nominees can be seen as a sort of precursor in the Oscar race. Over the past decade, the AFI’s top 10 film selections have aligned closely with the Academy’s best picture nominations, typically matching with seven or, sometimes, eight eventual nominees. This means that, unless they got it perfectly right this time around, potentially two of the honorees won’t make the Oscar cut. Which ones?

AFI’s eligibility rules declare, “Stories need not be presented in the English language if incontrovertibly American,” meaning that they include “significant creative and/or production elements from the United States,” which, in the case of “Emilia Perez” having been eligible, means American-born actresses Zoe Saldaña and Selena Gomez.

For some reason, since it was a French co-production, and directed by a French filmmaker, Coralie Fargeat’s “The Substance” was deemed non-eligible for the AFI list. Makes no sense since it has two American actresses as the co-leads.

← Joseph Quinn to Star as George Harrison in Sam Mendes' ‘Beatles' Movies [Updated]Barry Jenkins Says Working on ‘Mufasa' Was “Not My Thing"; Potentially Sets Next Film →

FOLLOW US!


Trending

Featured
IMG_0351.webp
Josh Safdie’s ‘Marty Supreme’ is One of the Best Films of the Year — Timothée Chalamet Has Never Been Better
IMG_0815.jpeg
Six-Minute Prologue of Christopher Nolan’s ‘The Odyssey’ Coming to Select IMAX 70mm Screenings December 12
IMG_0711.jpeg
James Cameron: Netflix Movies Shouldn’t Be Eligible for Oscars
IMG_0685.jpeg
Brady Corbet Confirms Untitled 4-Hour Western Will Be X-Rated, Shot in 70mm, Filming Next Summer

Critics Polls

Featured
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
Capture.PNG
Critics Poll: ‘The Godfather’ Named Best Movie of the 1970s
public.jpeg
Critics Poll: ‘Do the Right Thing' Named Best Movie of the 1980s
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025