• Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_8196.jpeg
‘Spider-Man: Brand New Day’ Shatters Thursday Preview Record With $75M, Targets Historic Opening
IMG_8194.webp
Warner Bros. and Paramount Are Making Separate, Competing ‘A Nightmare on Elm Street’ Remakes
Screenshot 2026-07-30 181600.png
Does John Boorman’s ‘The Exorcist II: Heretic’ Deserve Reappraisal? New Doc (and Scorsese) Make the Case
IMG_8193.jpeg
The 25 Best Documentaries of All-Time, According to THR
IMG_8187.webp
Denis Villeneuve’s ‘Dune 3’ “Goes Beyond” ‘Messiah’ and Into Something “No One Expected”
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

World of Reel

  • More
    • Yearly Top Tens
  • Interviews

Roland Emmerich is Working on ‘Exodus' and ‘Lawrence of Arabia' Remake

December 17, 2024 Jordan Ruimy

Roland Emmerich, the German director of “The Day After Tomorrow” and “Independence Day” confirms he’s teaming with writer Anthony McCarten (“The Two Popes”) for what he hopes will be his next film, “Exodus,” a Sudan-set action flick.

McCarten is certainly an odd collaborator for Emmerich, known as the “master of disaster,” as the screenwriter’s credits include prestige-based Oscar-nominated films such as “The Two Popes,” “The Theory of Everything,” “Darkest Hour” and “Bohemian Rhapsody.”

Emmerich describes “Exodus” as set “in the not-so-distant future” where the population is battling climate catastrophe and brutal militia. Yeah, sounds about right for him.

“Two fearless kids, armed with a smartphone and unyielding courage, team up with a rogue pilot and a defiant doctor to expose a global conspiracy, racing through a war-torn landscape to inspire a humanity on the brink of collapse,” the director tells Screen.

“Exodus” is set to have a $110M budget. No financier is yet attached. Who will want to invest in this project? The Saudis?

Emmerich and McCarten are also collaborating on a “Lawrence of Arabia” TV series remake. It was originally planned for a three-season run, but now it’ll be two seasons of eight episodes, budgeted between $80M and $90M per season.

Emmerich is coming off 2022’s “Moonfall,” one of the worst films of the present decade. “Moonfall” was so bad that it made his other nadirs, which include “Universal Soldier,” “Godzilla,” “The Thirteenth Floor,” “10,000 BC” and “2012,” seem watchable in comparison.

In his near four-decade career as a filmmaker, Emmerich has delivered two half-decent films: 1996’s “Independence Day” and 2000’s “The Patriot.”

← Bob Persichetti & Justin K. Thompson to Direct ‘Spider-Man: Beyond Spider-Verse' Timothee Chalamet Says Josh Safdie's ‘Marty Supreme' Has the “Energy" of ‘Uncut Gems' →

FOLLOW US!

No results found

Trending

Featured
IMG_7776.webp
‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner
IMG_7775.jpeg
Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival
IMG_7752.jpeg
Joel Coen’s ‘Jack of Spades’ Delayed to 2027
IMG_7512.jpeg
Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025