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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Disney Pulls Trans Storyline from Pixar's ‘Win or Lose'

December 17, 2024 Jordan Ruimy

Puck’s Matt Belloni has a very interesting piece up about Disney CEO Bob Iger’s $15 million “blood sacrifice” to Donald Trump after ABC News decided to, surprisingly, settle Trump’s defamation litigation against the network. Disney additionally released a statement expressing “regret” for anchor George Stephanopoulos’ on-air claim that Trump was found liable in court for “rape.”

Belloni’s piece insinuates that such a deal could have only been maneuvered with Iger’s consent, and that we might be entering a new era at Disney, one where the company’s social activism gets tampered down for a more populist approach to creative content.

The reason why I’m reporting about this is because of a THR piece, published this afternoon, that’s been making some waves. The report confirms that Pixar removed a transgender character’s storyline from their upcoming “Win or Lose.” You should take a look at the online outrage that’s happening over this (actually, maybe you shouldn’t).

A spokesperson for Disney confirmed that the “Win or Lose” story arc was removed and provided the following statement: 

When it comes to animated content for a younger audience, we recognize that many parents would prefer to discuss certain subjects with their children on their own terms and timeline

Don’t be surprised if THR’s intel came from a few disgruntled Pixar creatives who were no doubt irked by the decision to remove the trans storyline.

It’s not like Iger didn’t warn us beforehand about the changes that would come at Disney. Last year, he stunned many by saying that Disney would start focusing on “entertaining” and “not messages” in their future films.

Iger blamed the creators at Disney for losing sight of what their jobs should be — he explained that it got worse when he left as CEO/Chairman. In his own words, he stated that the mantra going forward would be “entertain first, not messages” and that “messages” shouldn’t be forced upon an audience.

Earlier in the year, Iger doubled down on his previous comments, hinting that he wanted to “quiet things down” at Disney “after years of culture wars.” This seemed to be in reference to the company having been accused, many times, of promoting a “woke agenda” in their movies.

With all that said, is it any coincidence that, just a few days ago, two major outlets, The New York Times and The Telegraph, proclaimed an end to the “awkward diversity era” in Hollywood? The Telegraph’s headline, “Hollywood’s great unwokening has been unleashed.”

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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