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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Tom Hanks Says Superhero Fatigue is Real: “‘We’ve Had 20 Years of Comic Book Movies [...] I've Seen That Already"

November 5, 2024 Jordan Ruimy

Last year, James Gunn admitted that “superhero fatigue” was real, and that the industry was in the middle of figuring out what to do about it. For his sake, I hope they do find a solution because he has his pricey ‘Superman’ coming out next summer.

Gunn’s reasoning for the ‘fatigue’ had to do with the MCU and DCU losing track of the “character” aspect in their movies, and not getting audiences emotionally invested in the stories. He added that the drought started after 2019’s “Avengers: Endgame.”

Tom Hanks shares Gunn’s theory (via ComicBookMovie). The actor believes that we’ve had “20 years” of these movies and that many audiences have moved on …

“I think there was a period of time, and I felt that way too, where we would see these fantastic movies either DC or MCU in order to see these better versions of ourselves. ‘God, I feel like an X-Man sometimes. I’m as confused as Spider-Man. I’m as angry as Batman is and I love my country as much as Captain America. I would like to emulate all those guys.’ I think we’ve been down that road and had probably 20 years, 15 years, to explore that kind of thing and now I think we’re in an evolutionary place of, ‘And the story is what? And the theme is what? And the point of this movie is what?'”

He continues, “That’s a good challenge for any filmmaker, it might just not land in the roundhouse for the industry. The industry often says, ‘Well, this works and it will work again.’ The audience is far ahead of it. They see the familiar and say, ‘I’ve seen that already. What’s next?’ It’s not just eye-popping stuff, it’s what’s the story? Tell me about myself. We’re in new territory.”

The term “superhero fatigue” was coined to address the lack of enthusiasm for Marvel and DC movies, and particularly their underperformance at the box-office. It’s an argument that’s been prevalent in the pandemic-era, and for good reason. You might have a “Deadpool & Wolverine” become this monstrous success, but then there’s “The Marvels,” “Eternals,” ‘Ant-Man 3,’ “The Flash,” “Thor: Love and Thunder,” “Blue Beetle,” ‘Shazam 2,’ and “Black Adam” all underperforming.

If you look at the above underperforming titles, what do they all have in common? They sucked. That’s what links all of them up. They all had awful stories, writing and lacked originality. So many of them I personally couldn’t watch to the end. They have become commodities with no passion or real effort put into them. Maybe the smartest way for Marvel and DC to combat “superhero fatigue” would be to make an actual good movie.

Next year’s slate of superhero movies include “Superman,” “Captain America: Brave New World,” “Fantastic Four: The First Steps,” and “Thunderbolts.” Which of these titles will actually deliver the goods? If I had to bet, maybe only Gunn’s “Superman.”

← Ryan Reynolds Writing A Non-MCU Film For Hugh Jackman and Shawn LevyJennifer Kent's to Direct Adaptation of Clive Barker's ‘The Thief of Always' →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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