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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Gladiator II' Cinematographer Tries to Walk Back His Comments Criticizing “Lazy" Ridley Scott

December 1, 2024 Jordan Ruimy

Just a few days ago, “Gladiator II” cinematographer John Mathieson’s comments, criticizing Ridley Scott as “lazy” and having “changed” as a filmmaker, went viral and sparked much conversation about Scott’s last few films (“Napoleon,” “Gladiator II,” “House of Gucci”).

Well, not surprising, Mathieson is now trying to walk back those comments by going to the go-to trade for damage control narrative engineering, Deadline. Mathieson is telling them that his criticism was taken out of context, and that he wasn’t referring to Scott, but rather the industry as a whole:

I said, the industry, it’s really lazy. Lazy and sloppy are not two words I would ever put with this gentleman of a certain age and genius. But if you slide out — and you can hear it — you slide out a paragraph and put it right next to, oh, let’s talk about Rid and multi cameras. And he edits the piece down to 30 minutes…I could hear the blip of the sound. I said, well, that wasn’t said against that. That was probably said maybe 20 minutes later. However, this is what has risen to the surface. And I’m deeply regretful of that.”

Mathieson can spin this all he wants, but I just re-listened to portions of the interview and he is very clearly talking about Scott. He says “he” multiple times and even tries to make his point by referring to Scott’s behavior on “Gladiator II” and “Robin Hood.” Hell, even if you take out the “lazy” quote, Mathieson is still quite critical of Scott throughout the chat.

“He is quite impatient so he likes to get as much as he can at once,” Mathieson said of Scott’s use of multiple cameras. “It’s not very good for cinematography,” he explained, saying it means you “can only light from one angle”.

He added: “Look at his older films and getting depth into things was very much part of lighting. You can’t do that with a lot of cameras but he just wants to get it all done.”

“Having lots of cameras I don’t think has made the films any better…It’s a bit rush, rush, rush. That’s changed in him. But that’s the way he wants to do it and I don’t like it and I don’t think many people do, but people love his films and he’s Ridley Scott and can do what he wants,” Mathieson continued.

Mathieson has worked as Scott’s cinematographer on six films, including “Gladiator,” “Matchstick Men” and “Kingdom of Heaven.” Despite walking back on his previous criticism, there’s a good chance they won’t ever collaborate again after this.

← Ridley Scott: “There's Certainly Going to Be A Gladiator III"Tim Burton Says He'll Collaborate With Johnny Depp Again →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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