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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Brutalist' Budget Was $6M

October 5, 2024 Jordan Ruimy

What Brady Corbet has done with “The Brutalist,” both artistically and financially, is damn-near miraculous and something that producers should be paying close attention to.

Corbet had originally told THR that “The Brutalist” was made for “under $10M,” but didn’t give a specific figure. It turns out, the actual budget was a measly $6M (via Deadline). That is staggeringly low for such an ambitious work of art. I’m absolutely amazed by that low number. Given how big the film feels, and the way it was filmed, this is an absolute triumph.

The general belief is that indie movies need to scale it back given all of the budgetary constraints, but “The Brutalist” seems to have defied all of that. It has a monumental scale to it, an event-worthy craftsmanship that makes it a very lived-in film, one which spans over four decades of one man’s life.

Corbet recently said that the low budget on “The Brutalist” meant “years and years” of working for free as he was developing the project. “The Brutalist,” which was financed by multiple countries, was filmed in Budapest and Tuscany in Spring 2023 after endless COVID delays.

“We cut every corner we could to make sure that every single cent was on-screen,” Corbet said. “It was a Herculean effort, and I wouldn’t recommend it to anyone, because it was just years and years of essentially working for free.” 

Now I get why Corbet has said, multiple times, that “The Brutalist” is “a lot of things that everyone tells you you’re not allowed to do” in filmmaking. It quite literally throws out the conventions of indie filmmaking 101 and defies what low-budget projects can achieve.

The end result is that “The Brutalist” won the Silver Lion at Venice and is now a major Oscar contender. A24 recently bought it for $10M. It’s set to screen at numerous other festivals this fall and will be released theatrically in December.

← Al Pacino Says He Starred in ‘Jack and Jill' Because “I Had No More Money" Yikes, ‘Joker: Folie à Deux' Earns “D" CinemaScore; Expecting $38M-$40M Weekend →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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