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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Richard Linklater's ‘Nouvelle Vague' Submitted for Cannes 2025

October 18, 2024 Jordan Ruimy

It’s very early for Cannes 2025 spitballing, but I couldn’t help but report on this intel.

I’m being told that Richard Linklater’s “Nouvelle Vague” is eyeing a world premiere at next year’s Cannes Film Festival. Not that surprising given what the film is about, and the filmmaker behind it.

“Nouvelle Vague” will be Linklater’s first project shot entirely in French. The film will reconstruct the story behind the creation of the Nouvelle Vague movement in French cinema and focus on the production of Jean-Luc Godard’s 1959 groundbreaker, “A Bout de Souffle” (“Breathless”).

The characters in the film will include legendary filmmakers such as Jean-Luc Godard, Jean Cocteau, Robert Bresson, Roberto Rossellini, Jean-Pierre Melville, Eric Rohmer and Jacques Rivette — most of them were responsible for the rise of the Nouvelle Vague in the ‘60s. No other casting details are known at this time.

It’s French actor Guillaume Marbeck who will be portraying Jean-Luc Godard. Zoey Deutch is also in the cast, playing “Breathless” beauty Jean Seberg. I can also confirm that some of the other actors taking part in “Nouvelle Vague” include newcomers Jean-Jacques Le Vessier, Jodie Ruth-Forest and Jonas Marmy.

”Nouvelle Vague” is being dubbed as a “comedy” and “love letter” to the French New Wave, Godard and company. In a recent interview, Linklater had confirmed the project and went on to describe it as being “like a New Wave film.”

Will Linklater be premiering two films at Cannes? He’s already in post production on “Blue Moon,” starring Ethan Hawke. It’s something to keep an eye on in the coming months.

Despite Cannes still being six months away, things are clearly starting to rev up with the selection committee, and I keep getting emails about posting an early spitball list of the potential titles that might show up next May on the Croisette. There are too many. There’s an innumerable amount of A-list auteurs who are expected to have new films ready by next summer.

Here’s the contenders list, and keep in mind only 21-23 films usually get selected for competition, including a mandatory five to six from France.

Die My Love (Lynne Ramsay)  
Alpha (Julia Ducournau)  
Mother Brother Sister Mother (Jim Jarmusch)  
The Phoenician Scheme (Wes Anderson)  
Bugonia (Yorgos Lanthimos) 
Nouvelle Vague (Richard Linklater)  
The Mastermind (Kelly Reichardt)  
No Other Choice (Park Chan-wook)  
The Way of the Wind (Terrence Malick)  
Sentimental Value (Joachim Trier)  
Young Mother (The Dardennes)  
Jupiter (Andrey Zvyagintsev)  
Highest 2 Lowest (Spike Lee)
The Secret Agent (Kleber Mendoca Filho)  
The Battle of Baktan Cross (Paul Thomas Anderson)
Caught Stealing (Darren Aronofsky)
At the Sea (Kornél Mundruczó)
Marty Supreme (Josh Safdie)
In the Hands of Dante (Julian Schnabel) 
Chocobar (Lucrecia Martel)  
Orphan (Laszlo Nemes)  
Dreams (Michel Franco)  
Mektoub: Canto Duo (Abdellatif Kechiche)  
Resurrection (Bi Gan)  
Butterfly Jam (Kantemir Balagov)  
The Magnificent Life of Sylvain Pagnol (Sylvain Chomet)   
Yes! (Nadav Lapid)  
Red Rocks (Bruno Dumont)  
Disappearance (Kiril Serebrenikkov)  
Flowervale Street (David Robert Mitchell
Untitled sci-fi (Arthur Harrari)  
Wake of Umbra (Carlos Reygadas)  
Non Compos Mentis (Paul Schrader)  
Hope (Na Hong-jin)  
On Land and Sea (Hylmur Pálmason)  
F1 (Joseph Kosinski)
Untitled (Jia Zhangke)  
Rosebushpruning (Karim Aïnouz)  
Eagles of the Relublic (Tarik Saleh)  
Tu ne fear point d’image (Kaouther BenHania)   
Sacrifice (Roman Gavras)   
Mission: Impossible 8 (Christopher McQuarrie)
Une Affaire (Arnaud Desplechin)
Untitled (Oliver Laxe)  
Enzo (Robin Campillo)  
L’interet D’Adam (Laura Wandel)  
Vie Privee (Rebecca Zlotowski)  
The Wave (Sebastien Lelio)   
The Drama (Kristofer Borgli)
Silent Friend (Ildiko Enyedi)
Duse (Pietro Marcello)
Sacrifice (Roman Gavras)
Dossier 173 (Dominik Moll)
I Want Your Sex (Greg Araki)

I’m not even counting a few U.S. titles that might or might now go to Cannes, depending if they want to go to Venice instead:

The Smashing Machine (Benny Safdie)
After The Hunt (Luca Guadagnino)
Eddington (Ari Aster)
Mother Mary (David Lowery)
Blue Moon (Richard Linklater)

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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