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Michael Douglas Says Jack Nicholson, 89, Is “Not Working Any More" and Has “Disappeared"

While James L. Brooks teased last year that "we'll soon be seeing" Jack Nicholson, 89, act again, and that he was "reading scripts," that idea has now been shut down by his close friend Michael Douglas, 82.

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Karyn Kusama to Direct ‘Mouthwashing’ Movie for Sony, ‘The Invitation’ Writers to Pen Script

Sony has acquired the feature film rights to "Mouthwashing," the acclaimed psychological horror game. The studio has hired Kusama to direct, and she will bring her most reliable writers, Matt Manfredi and Phil Hay, with her.

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Sir Patrick Stewart, 86, Has Died

A real shocker. There are some people you think will live forever, and Sir Patrick Stewart was one of them. The legendary actor has passed away at the age of 86. We’ve lost one of the greats.

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Ken Russell's ‘The Devils' Extends Theatrical Run Indefinitely (!) After $3.3M Box Office Surprise

Nobody expected a 55-year-old NC-17 movie to be one of the surprise box office stories of the fall. Yet here we are, and this absolutely puts a smile on my face.

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‘Sunrise on the Reaping’ First Reactions Are Very Positive

Of course, we all know the rule: take these reactions with a grain of salt rather than treating them as gospel. Still, I will say that the film tested like gangbusters earlier this year, and Lionsgate clearly has confidence.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Luca Guadagnino to Direct Thomas Mann's 1901 Novel ‘Buddenbrooks’

October 16, 2024 Jordan Ruimy

Luca Guadagnino already had two films that have premiered this year, “Challengers” and “Queer,” but he’s not stopping, and keeping himself busy for, at least, the next few years.

According to Guadagnino himself (via IndieWire), an adaptation of ‘Buddenbrooks’ by Thomas Mann” is in the works. He sees it as a companion piece to “Queer,” which is a William S. Burroughs adaptation.

I think they are kind of mirroring each other, or they are the flip coin of each other. One [‘Queer’] is about the longing of the past and the unavoidability when you meet someone that is really pulling you in, and you want to see yourself reflected in the gaze of the other. And the other one [‘Buddenbrooks’] is about the decadence of a Western society rooted in the most brutal form of repression, internal before being external. To understand the obscenity of repression being acted out upon people, I think you have to see and look into the repression that the people who are exerting repression over other people have within themselves, not to justify them, but to go to the root of this heart of darkness.

Guadagnino has mentioned the influence that Mann’s 1901 novel had on him, but the filmmaker is now telling IndieWire that he’s in the process of adapting it with “We Are Who We Are” creator/writer Francesca Manieri.

“Buddenbrooks” is one of Guadagnino’s four “dream projects,” along with his 2018 remake of “Suspiria,” “Queer,” and his upcoming adaptation of Pier Vittorio Tondelli’s “Separate Rooms,” which Manieri is also writing, and is set to star Léa Seydoux and Josh O’Connor.

“Separate Rooms” is supposed to be shot next year, but before then he’ll be premiering “After the Hunt,” starring Julia Roberts and Andrew Garfield, sometime in 2025 — that one’s already deep in post-production.

Guadagnino is also putting the finishing touches on a documentary about his cinematic hero, Bernardo Bertolucci. He’s currently editing the film, which is titled “Joie de Vivre,” although he admits he won’t be able to “sidestep the controversy” surrounding Bertolucci — presumedly referring to a claim that Maria Schneider, the actress, who was 19 years old at the time, was “humiliated” and “a little raped” by an unscripted moment during the shoot of “Last Tango in Paris.”

“We tried to put at rest the silly idea of the controversy around Bernardo because it’s kind of misguided,” said Guadagnino.

Guadagnino is a workaholic. He’s never not busy and has had his stock considerably rise this year because of “Challengers” and “Queer.” Did I also mention he’s rumored to be directing a DCU movie for James Gunn? It just never ends with him.

← Leigh Whannell’s ‘Wolf Man’ Rated “R” for “Bloody Violent Content” & “Grisly Images”Box-Office: ‘Wild Robot' Numbers Spike Because of ‘Terrifier 3' Sneak-ins →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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