• Interviews
    • Yearly Top Tens
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
Paul Schrader Dismisses Spielberg’s ‘Disclosure Day’: “A Master Chef Makes a Soufflé Out of Leftovers”
IMG_6769.jpeg
Readers’ Poll: What Are the Best Films of 2026 So Far? (And Here’s My List)
IMG_6767.jpeg
Timothée Chalamet Celebrates Knicks Win, Says He’d “Way Rather This Than the Oscars”
IMG_6766.jpeg
Box Office: ‘Disclosure Day’ Opens to $43M+, While ‘Masters of the Universe’ and ‘Scary Movie 6’ Tumble 71% [Updated]
IMG_6758.jpeg
Seth Rogen Says He Has “No Plans” to Work With James Franco Again, Hasn’t Spoken “in a Long Time”
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

World of Reel

  • Interviews
  • More
    • Yearly Top Tens

Glen Powell to Star in ‘Emily the Criminal’ Director’s Next Film, from A24 and Studiocanal

January 22, 2024 Jordan Ruimy

Glen Powell will star in “Huntington,” for A24 and Studiocanal. John Patton Ford, who helmed the surprise 2022 indie hit “Emily the Criminal” is on-board as director, via Deadline.

“Huntington” is being described as a “raucous revenge thriller” about the heir to a multi-billion-dollar fortune who will stop at nothing to get what he deserves. An early summer shoot is being planned for the film.

Patton Ford’s original screenplay is inspired by Robert Hamer’s 1949 classic “Kind Hearts and Coronets,” starring Alec Guinness. Huntington “skews darker than the original caper classic but leans into witty and zingy banter,” according to Deadline.

One of the few success stories of 2022 indie cinema was the streaming success of the Sundance-premiered crime-drama “Emily the Criminal,” starring Aubrey Plaza. It peaked at the top of Netflix’s trending top 10 in early December of that year and remained high up there for a few weeks. The film was made on a budget of just $2 million dollars.

“Emily the Criminal” reignited the taut, tense and terrific thrillers of ‘70s American cinema. John Patton Ford’s film had social commentary to spare, but Plaza stole the show as a 30-something woman immensely desperate to escape the chains of capitalism.

← David Fincher’s Netflix Contract Extended for Three More YearsTrailer for Linklater’s ‘Hit Man’ — Hits Netflix June 7 →

FOLLOW US!

No results found

Trending

Featured
Capture.PNG
What’s the Best Four-Film Run by a Director?
IMG_6348.jpeg
Clint Eastwood Turns 96 as Son Kyle Says the Legendary Director Has “Retired”
IMG_6339.webp
Martin Scorsese’s $200M Hawaii Mob Movie Nears Greenlight as Major Rewrite Set to Be Submitted to 20th Century
IMG_6307.jpeg
Robert De Niro Teases “At Least One More” Movie With Martin Scorsese

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025