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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Test Reaction for Robert Zemeckis’ ‘Here,’ Starring Tom Hanks, is A Rave

September 8, 2023 Jordan Ruimy

I look forward to whatever Robert Zemeckis does next, no matter how disappointing his last few films have actually been.

His latest, titled “Here,” stars Tom Hanks, Robin Wright and Paul Bettany and, much like everything he does these days, it’s steeped in the latest technological breakthrough. A test screening reaction is hinting that it’s actually a very strong film:

It’s a pretty ambitious story, just one single perspective with fade ins/fade outs to change the time into the future or past and all about a single space of a living room in one house. Tom hanks and Robin Wright are de-aged (surprisingly flawless for something still in production) and Hanks is as good and reliable as always. Zemeckis gives all the heavy and emotional moments to Wright here and she delivers a fantastic performance. Paul Bethany and Kelly Reilly are also really good and both can totally steal a supporting actor nom. This feels like a Best Picture contender for sure and maybe even script, it feels like a spiritual cousin to “Forrest Gump” with all the hopping through time and recounting important historical events of everyone who lives through this space and it’s definitely in the same home of films that Hanks used to make in the 90’s and stuff like Big Fish and Life of Pi; a big visual marvel.

“Here” is based on Richard McGuire’s graphic novel, and tells the story of people in a single room over a long period of time. Eric Roth (“Killers of the Flower Moon”) has adapted the groundbreaking novel for the screen.

In “Here,” Zemeckis is, again, attempting to be at the forefront of bleeding-edge technology as the film aims to use deepfake VFX to de-age actors with the help of effects studio Metaphysic.

The technology will use “high-resolution photorealistic faceswaps and de-aging effects on top of actors’ performances live and in real-time without the need for further compositing or VFX work.”

This will be a reunion of sorts for Zemeckis, Hanks and Roth who haven’t worked on movie together in almost 30 years — that one was a little film called “Forrest Gump.”

I used to like the films that Zemeckis directed, he was on a hot streak between 1980-2000 — “Used Cars,” “Romancing the Stone,” “Back to the Future,” “Who Framed Roger Rabbit,” “Forrest Gump,” “Cast Away,” “Contact.” Hell, I even went along with the schlock horror of “What Lies Beneath.”

However, these last 20 some odd years have been more hit and miss for Zemeckis. There have been some well-received films (“Flight,” “The Walk,” Allied”) but there’s also been a lot of duds (“Welcome to Marwen,” “The Polar Express,” “Beowulf,” “Pinocchio,” “The Witches,” “A Christmas Carol”).

Production on the film began in February of 2023 and it is being test-screened for an audience next Tuesday, which means it must be in the can, or close to it.

← George A. Romero’s “Final” Zombie Movie Will Be Directed by Brad Anderson, Late 2023 ShootHayao Miyazaki Working on Ideas For A New Film →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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