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Werner Herzog's ‘Grizzly Man' Joins the Criterion Collection — Plus ‘The English Patient,’ ‘Nashville' and ‘Shop Around the Corner’

Criterion's December lineup has some great additions to the library, but the title that jumped out at me is Werner Herzog's "Grizzly Man," which officially joins the Collection on December 8.

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Robert De Niro to Play Tommy Lasorda in Reid Carolin's ‘Tommy & Me'

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Quentin Tarantino to Publish ‘The Adventures of Cliff Booth' Novel, Out December 8

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Zack Snyder Says the ‘Last Photograph' Negative Reviews Were “100%” About Him and Not the Movie

Zack Snyder woke up in Toronto the morning after his premiere and did the one thing no filmmaker should ever do the morning after: he opened X.

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‘The Life and Deaths of Wilson Shedd': Amanda Seyfried and Scoot McNairy Power Tim Blake Nelson's Best Film Since ‘The Grey Zone' [TIFF]

Tim Blake Nelson has been making films for thirty years and hasn't directed a narrative feature in more than ten. "The Life and Deaths of Wilson Shedd," is the best thing he's done since "The Grey Zone.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Wes Anderson’s ‘The Wonderful World of Henry Sugar’ is 100 Minutes, A “Radical” Stage Play

August 4, 2023 Jordan Ruimy

We can confirm that, if all four films were to be put together, Wes Anderson’s “The Wonderful World of Henry Sugar” is around 100 minutes long. It also turns out to be a little more complicated as a film .

Anderson told The Daily Beast that the upcoming anthology was “not quite a movie” and that “they’re separate from each other; they’re not one thing”.

It’s kind of an unusual form for the storytelling that we do, because my way into it was that I realized that what I liked were his words. The way the stories are told in Roald Dahl’s words. Just turning it into a movie, you can lose his words, by and large. We decided not to lose his words. When you see it, you’ll see what I mean. We use the words.”

So, in essence, ‘Henry Sugar’ is split into four different films. The first one, titled ‘Henry Sugar,’ is 37 minutes and will premiere at the Venice Film Festival.

Here’s that fest’s programmer explaining the way Anderson conceived the first short:

So, he took some Roald Dahl stories and made 4 short/medium films, we’re showing one of them, ‘Henry Sugar,’ the rest will be seen on Netflix this fall. What I can say about it is that it’s an absolutely extreme and radical literature adaptation. It’s Anderson’s cinema, with Dahl’s words done via the most accurately refined images, as meticulously as possible. The story is not adapted through a screenplay, it is chosen by the characters. The actors in it act almost as if they are in a stage play, the cast reads out the story, sometimes to the camera which reminded me of the theatre.[…] However it is not just a theater reading, inside of it can be found cinema. I love it, I love it very much. It’s only 37 minutes but is beautifully staged with these extraordinary images and visual scenographic gimmicks.

It does sound like something that Anderson has not really attempted before, stylistically speaking. We should hopefully be getting a clip of the movie in the next few weeks as Venice tends to release first looks of its lineup in late August.

The film is based on four short stories penned by author Dahl and was shot on a stage in 16mm. There’s also stop motion animation. It does sound very different to previous Andersons.

Anderson’s last film was this summer’s “Asteroid City,” which again split Anderson fans and non-fans in opinion. You can stream it now on VOD. It will also be available to stream on Peacock August 11.

← A ‘Talk to Me’ Prequel Has Already Been ShotVenice Programmer Warns That ‘Poor Things’ Might Be Very Divisive →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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