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Bill Burr Says ‘Digger' Critics Are “Out of Their Minds," and Their Bad Reviews “Won’t Age Well”

Is Burr right? Will “Digger” be the ‘Big Lebowski’ of 2026, a misunderstood bomb that finds its audience on home video? ‘Lebowski’ is hardly alone: “Blade Runner,” “The Shining” and “Fight Club” all followed the same path.

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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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OFFICIAL: Hayao Miyazaki’s ‘The Boy and the Heron’ to Open TIFF 2023

July 27, 2023 Jordan Ruimy

This past weekend, Eric Kohn’s IndieWire writeup hinted at a Miyazaki opening for TIFF 2023. It was much-welcomed news, but all we needed was a confirmation from the fest itself.

Well, it’s now been confirmed. Hayao Miyazaki’s “The Boy and the Heron” will screen on opening night at the 48th Toronto International Film Festival.

Toronto has pulled the rug under Venice and nabbed the Miyazaki away from them. No word yet on whether the elusive and press-shy, 82-year-old, Miyazaki will make the trek to Canada for the premiere. His cast of voice actors certainly can show up, they’re not SAG, so can Studio Ghibli president Toshio Suzuki.

Miyazaki’s latest film is said to be a slice of life with spiritual themes added in for good measure. In Japan, it's been well-received, but I did read about a few people being disappointed by it. Supposedly, it’s a surreal and dreamy film, which led to a slew of intriguing comparisons, such as “Inception” and it even feeling like a David Lynch film.

Here’s TIFF CEO Cameron Bailey, who travelled to Tokyo in July to screen the film, describing Miyazaki’s latest:

If this has to be his final statement on screen, I think it’s a perfect one. It’s very much an adult vision of life, very much about loss and how we deal with that. It just felt like this is a movie from a master filmmaker […] I was just floored by the film. His films are transportive and full of such incredible fantasy. This film just hit me harder for some reason. I don’t want to spoil anything for people who will discover it, but it starts in one way and goes somewhere else entirely. It’s the full Miyazaki vision […] “It’s a great film and hope it gets all the attention it deserves in terms of Best Animated Feature. But in a perfect world, I think it’s also a Best Picture contender, and I hope people see that.

There is currently no North American or European release date for “The Boy and the Heron.” Stateside it is being distributed by GKids. An October/November release seems to be the way to go for this one, especially if it wants to contend for the Animated Film Oscar.

Now, I don’t feel so bad saving travel time and opting to attend TIFF instead of Venice. Some of the titles going to Toronto, and not Venice, include “Saltburn,” “The Holdovers” “The Royal Hotel” and “The Boy and the Heron.”

← ‘The Iron Claw’ Sets December 22 Release Date, No Fall FestivalsParamount CEO Says They Will No Longer Produce “Original” Animation, Just IP Stuff →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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