• Critics Polls
  • Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_1239.jpeg
‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

Read more →
IMG_1237.jpeg
‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

Read more →
IMG_1224.jpeg
Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

Read more →
IMG_9948.jpg
The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

Read more →
IMG_1223.jpeg
‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Critics Polls
  • Yearly Top Tens
  • Interviews

Jennifer Lawrence Looks Back on 2017’s Polarizing ‘mother!’

June 27, 2023 Jordan Ruimy

Darren Aronofsky became the most polarizing figure in movie culture back in the fall of 2017. His controversial “mother!” provoked a volcanic stir of reactions. It’s been almost six years since that movie got released.

Jennifer Lawrence, the star of “mother!” was on the “What Happens Live” podcast with Andy Cohen. She admitted still not totally understanding the film, despite the fact that she was sleeping with Aronofsky at the time.

Cohen: “On a scale of one to totally confused, how much did you understand your film ‘Mother!’?”

Lawrence: “I’m going to be honest. Well, I was sleeping with the director so I had CliffsNotes. So…five? Or a four. But if anybody needs any tips on understanding their films, you know what to do.”

Cohen: “Fuck the director?”

Lawrence: “Yeah!”

During the first press screening at the Venice Film Festival, there were both loud boos and people standing up to cheer as the movie ended. I was, and still am, in-between. I admired the sheer chutzpah of the film, but ultimately felt it didn’t work as a whole, as it opted to, first and foremost, provoke rather than coherently grab your interest.

The mainstream was bewildered, provoked and flat-out infuriated by “mother!”, with its non-conventional narrative, shocking images and frustrating loop of a story being the cause of the chaos.

Many adventurous moviegoers firmly appreciated what Aronofsky did; It was hard for any of us to really complain about a studio movie taking the kind of bold leaps we saw in “mother!”

Critics were split, with its 68% Rotten Tomatoes score confirming the polarization. Audiences all but shunned the film (a tepid box-office debut of $7.6 million) giving it a rare and almost unprecedented F grade on Cinemascore.

Even good old curmudgeon Rex Reed dubbed it the “worst movie of the 21st century” in his review. Amusingly, Reed ended up being quoted on the movie poster. Paramount were capitalizing on the noise around the film and campaigned it with a “we dare you to see it” kind of promotional campaign.

Aronofsky and then-girlfriend Jennifer Lawrence broke up soon after the film’s release. Lawrence ended up getting an undeserved Razzie nomination for Worst Actress. She later confessed to Variety that the bad reviews for “mother!” hurt her relationship with Aronofsky.

On the podcast, Lawrence confessed to Cohen that it was a gruelling experience to shoot ‘mother!’ …

“I tore my diaphragm and cracked something in my chest […] My top rib, it still clicks to this day.”

In 2017, Lawrence admitted that Aronofsky wanted to keep filming during emotionally and physically vulnerable scenes.

I have oxygen tubes in my nostrils, and Darren’s like, ‘It was out of focus; we’ve got to do it again,’” And I was just like, ‘Go fuck yourself.'

What do you think of the film? Has it aged well? I’d rather not rewatch it, once was enough, but the puzzling nature of ‘mother!’ has always tempted me to revisit it, although I fear it would likely be torturous to do so.

← Wiseau’s ‘The Room’ Turns 20Schrader on ‘Pacifiction’ →

FOLLOW US!

Newsletter Block
This newsletter signup form needs a storage option. Edit the block and enter a storage location via the Storage tab.

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_9738.jpeg
CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

Read more →
IMG_9642.jpeg
Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

Read more →
IMG_9603.jpeg
Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

Read more →
IMG_9478.jpeg
Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026