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Werner Herzog's ‘Grizzly Man' Joins the Criterion Collection — Plus ‘The English Patient,’ ‘Nashville' and ‘Shop Around the Corner’

Criterion's December lineup has some great additions to the library, but the title that jumped out at me is Werner Herzog's "Grizzly Man," which officially joins the Collection on December 8.

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Robert De Niro to Play Tommy Lasorda in Reid Carolin's ‘Tommy & Me'

De Niro is in talks to play legendary Los Angeles Dodgers manager Tommy Lasorda in “Tommy & Me,” a sports drama Reid Carolin will direct for Skydance Sports.

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Quentin Tarantino to Publish ‘The Adventures of Cliff Booth' Novel, Out December 8

The book is titled "The Adventures of Cliff Booth," which, if you've been following along, was the original title of Fincher's film before it was renamed "The Further Mis-Adventures of Cliff Booth."

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Zack Snyder Says the ‘Last Photograph' Negative Reviews Were “100%” About Him and Not the Movie

Zack Snyder woke up in Toronto the morning after his premiere and did the one thing no filmmaker should ever do the morning after: he opened X.

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‘The Life and Deaths of Wilson Shedd': Amanda Seyfried and Scoot McNairy Power Tim Blake Nelson's Best Film Since ‘The Grey Zone' [TIFF]

Tim Blake Nelson has been making films for thirty years and hasn't directed a narrative feature in more than ten. "The Life and Deaths of Wilson Shedd," is the best thing he's done since "The Grey Zone.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Time’s Honest Reaction to ‘Barbie’; Sequel Already in the Works

June 27, 2023 Jordan Ruimy

Is it bad that Time Magazine’s Eliana Dockterman was granted access to interview Greta Gerwig at her Chelsea office and still managed to write this about “Barbie”:

I can share that it’s a fun yet self-aware romp with shades of Clueless and Legally Blonde.It’s also stuffed full of ideas, and occasionally overwhelmed by them.

This isn’t a fluff reaction. It’s honest. The occasion is for the film’s surprising appearance on this week’s Time cover. Yes, the marketing machine is in full blast and we’ll probably be getting more reactions in the coming weeks. This is the first official one.

Meanwhile, Gerwig and company are so confident about what they have here that have already been talks for a sequel …

Margot Robbie says there have been conversations about a sequel, but nothing is set for now. “It could go a million different directions. But I think you fall into a bit of a trap if you try and set up a first movie whilst also planning for sequels.”

A commenter wrote about the Final Cut of “Barbie,” which was screened for an “influencer”-filled audience on Friday evening:

I have seen the final cut of the film; it will be profitable for WB. If you love/hate the trailer, then the film won’t change your mind. If you are like me, and have no interest in Barbie but are curious how much intellect Gerwig and Baumbach can inject into a commercial blockbuster, you will be entertained. The first 25 minutes feel like fan service, and then the real film begins. Most people in the audience are just looking for a fun movie to see with their friends, and this one will satisfy them. If you are a film student or like to type long reviews on Letterboxd, there is plenty to discuss (fascism, gender power dynamics, corporate greed, existentialism, patriarchy, self-worth, genitals, psychological manipulation within a relationship, inclusion/exclusion). That being said, the film only scratches the surface of these topics—it’s not a deep dive. I don’t expect any major awards, but Ryan Gosling gives a great performance and gave me the biggest laugh of the film.

“Barbie” is currently projected to open with $45-55 million in its first weekend. Whether that actually materializes is a whole other story. It could either be lower or higher, all depending on the reviews.

About those reviews, based on what I’ve heard, the actual first official “Barbie” screening for press will be on July 18. The film gets released in theaters nationwide on July 21.

← Sean Baker Confirms New Film ‘Anora’; Condemns Today’s Censorship in American MoviesAri Aster’s Next Film is a Contemporary Western Set During the Pandemic →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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