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Jesse Eisenberg’s ‘The Debut’ Raved at Telluride! Julianne Moore “Astonishing” Performance in Best Picture Contender

The film has taken over the Telluride Film Festival. It’s a best picture contender. Julianne Moore is a best actress frontrunner. Paul Giamatti might win his first Oscar for as supporting actor.

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The Rolling Stones Biopic Is Happening

The Rolling Stones are heading to the big screen after reportedly finalizing a biopic deal with American production company 101 Studios.

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Drew Goddard Won’t Move Forward With ‘Matrix 5’ Without the Wachowskis’ “Blessing” of the Script

Wachowski, who isn’t involved with Goddard’s “reboot,” confirms being “done” with The Matrix, but apparently Goddard still wants Lily and Lana’s blessing before continuing with his work.

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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Time’s Honest Reaction to ‘Barbie’; Sequel Already in the Works

June 27, 2023 Jordan Ruimy

Is it bad that Time Magazine’s Eliana Dockterman was granted access to interview Greta Gerwig at her Chelsea office and still managed to write this about “Barbie”:

I can share that it’s a fun yet self-aware romp with shades of Clueless and Legally Blonde.It’s also stuffed full of ideas, and occasionally overwhelmed by them.

This isn’t a fluff reaction. It’s honest. The occasion is for the film’s surprising appearance on this week’s Time cover. Yes, the marketing machine is in full blast and we’ll probably be getting more reactions in the coming weeks. This is the first official one.

Meanwhile, Gerwig and company are so confident about what they have here that have already been talks for a sequel …

Margot Robbie says there have been conversations about a sequel, but nothing is set for now. “It could go a million different directions. But I think you fall into a bit of a trap if you try and set up a first movie whilst also planning for sequels.”

A commenter wrote about the Final Cut of “Barbie,” which was screened for an “influencer”-filled audience on Friday evening:

I have seen the final cut of the film; it will be profitable for WB. If you love/hate the trailer, then the film won’t change your mind. If you are like me, and have no interest in Barbie but are curious how much intellect Gerwig and Baumbach can inject into a commercial blockbuster, you will be entertained. The first 25 minutes feel like fan service, and then the real film begins. Most people in the audience are just looking for a fun movie to see with their friends, and this one will satisfy them. If you are a film student or like to type long reviews on Letterboxd, there is plenty to discuss (fascism, gender power dynamics, corporate greed, existentialism, patriarchy, self-worth, genitals, psychological manipulation within a relationship, inclusion/exclusion). That being said, the film only scratches the surface of these topics—it’s not a deep dive. I don’t expect any major awards, but Ryan Gosling gives a great performance and gave me the biggest laugh of the film.

“Barbie” is currently projected to open with $45-55 million in its first weekend. Whether that actually materializes is a whole other story. It could either be lower or higher, all depending on the reviews.

About those reviews, based on what I’ve heard, the actual first official “Barbie” screening for press will be on July 18. The film gets released in theaters nationwide on July 21.

← Sean Baker Confirms New Film ‘Anora’; Condemns Today’s Censorship in American MoviesAri Aster’s Next Film is a Contemporary Western Set During the Pandemic →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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