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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Time’s Honest Reaction to ‘Barbie’; Sequel Already in the Works

June 27, 2023 Jordan Ruimy

Is it bad that Time Magazine’s Eliana Dockterman was granted access to interview Greta Gerwig at her Chelsea office and still managed to write this about “Barbie”:

I can share that it’s a fun yet self-aware romp with shades of Clueless and Legally Blonde.It’s also stuffed full of ideas, and occasionally overwhelmed by them.

This isn’t a fluff reaction. It’s honest. The occasion is for the film’s surprising appearance on this week’s Time cover. Yes, the marketing machine is in full blast and we’ll probably be getting more reactions in the coming weeks. This is the first official one.

Meanwhile, Gerwig and company are so confident about what they have here that have already been talks for a sequel …

Margot Robbie says there have been conversations about a sequel, but nothing is set for now. “It could go a million different directions. But I think you fall into a bit of a trap if you try and set up a first movie whilst also planning for sequels.”

A commenter wrote about the Final Cut of “Barbie,” which was screened for an “influencer”-filled audience on Friday evening:

I have seen the final cut of the film; it will be profitable for WB. If you love/hate the trailer, then the film won’t change your mind. If you are like me, and have no interest in Barbie but are curious how much intellect Gerwig and Baumbach can inject into a commercial blockbuster, you will be entertained. The first 25 minutes feel like fan service, and then the real film begins. Most people in the audience are just looking for a fun movie to see with their friends, and this one will satisfy them. If you are a film student or like to type long reviews on Letterboxd, there is plenty to discuss (fascism, gender power dynamics, corporate greed, existentialism, patriarchy, self-worth, genitals, psychological manipulation within a relationship, inclusion/exclusion). That being said, the film only scratches the surface of these topics—it’s not a deep dive. I don’t expect any major awards, but Ryan Gosling gives a great performance and gave me the biggest laugh of the film.

“Barbie” is currently projected to open with $45-55 million in its first weekend. Whether that actually materializes is a whole other story. It could either be lower or higher, all depending on the reviews.

About those reviews, based on what I’ve heard, the actual first official “Barbie” screening for press will be on July 18. The film gets released in theaters nationwide on July 21.

← Sean Baker Confirms New Film ‘Anora’; Condemns Today’s Censorship in American MoviesAri Aster’s Next Film is a Contemporary Western Set During the Pandemic →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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