• Critics Polls
  • Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_1239.jpeg
‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

Read more →
IMG_1237.jpeg
‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

Read more →
IMG_1224.jpeg
Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

Read more →
IMG_9948.jpg
The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

Read more →
IMG_1223.jpeg
‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Critics Polls
  • Yearly Top Tens
  • Interviews

Someone Didn’t Like ‘Barbie’ …

May 1, 2023 Jordan Ruimy

Here we have a person who attended yesterday’s “Barbie” screening and didn’t like it, at all. They wonder to whom this film is actually marketed towards. That’s a valid question.

I was at the Barbie family screening in LA yesterday.  It was for kids 9-14. I took my 11-year-old nephew. I wasn't a huge fan of the film, and my nephew didn't like it at all. It was just a strange film, and I left not really knowing who the film was really for. Maybe Gen Z teens and twentysomethings, I dunno. It definitely wasn't for kids!  It got a few laughs, and there was an America Ferrera speech towards the end that got a strong reaction and applause, but there were only scattered laughs from the audience throughout. 

I hope that the cut I saw was specifically cut for a family audience and that the cut that has been getting raves is actually better and will be the one released. I just think that it is pointless to market to families and young kids, and it will just piss parents off. Not because it is offensive or even because the content is that adult, I just don't think anyone younger than 14 will be entertained, and most of the themes will fly over their head.

It is pretty much the film that everyone expected Greta to make. Very strong themes about how tough it is to be a woman in modern society with so many double standards and how inflated male egos bring women down. I hate the word “woke”, but it will be thrown around a lot during the release of this film. I am not looking forward to any of the think pieces about the film. I actually hope it succeeds so I don't have to read a million articles about how Hollywood is out of touch and that liberal ideals are ruining movies and society. But I can definitely see a scenario where conservatives use the film as a target, similar to the recent Bud Light controversy, and we will get videos of Kid Rock blowing up Barbie dolls. But I can also see a scenario, if a majority of people share my opinion, that the film just isn't good enough, where both political sides are united and just see the film as a complete failure and everything wrong with Hollywood's current IP obsession and trying to force themes and messages on audiences without being entertaining or having a good story.

My expectations for the film were mixed. I was a big fan of Gerwig's first two films and like most of Baumbach's films. “Greenberg” through “Marriage Story” is my favorite run of his, with “Frances Ha” being my favorite. The trailers did nothing for me, but the behind-the-scenes photos and the reactions from screenings got me cautiously optimistic. My taste usually aligns with more adult/oscar oriented films. But I still see almost every big release and love a great studio comedy or blockbuster if they are well executed. 

The production design was my favorite part of the film. Barbieland looked awesome, and I loved how practical the set was and that they didn't rely on green screen and CGI. The performances were fine; they essentially did the job required. Margot was well cast and fun, Gosling had his moments, but I mostly found him annoying, McKinnon's weird Barbie made me laugh. I thought Cera was terrible and his character pointless. Maybe his big scene was cut for the family screening, or I just didn't find it funny? I can't recall what people liked so much about his character. The stuff in the real world felt really rushed. The subplot with America Ferrera and her daughter seemed like it was missing scenes and had been cut down. Will Ferrell shows up as the head of Mattel, and his whole storyline felt added on and didn't amount to anything. He disappears for a good portion of the film and then pops up at the end, but I had forgotten all about his story by then. 

It also felt like there were five different endings. Some parts of the ending were good, but a lot of it fell flat. I hated the big Ken musical number at the end. The whole film felt very disjointed, and the pacing was off. As I said, there is some of the meta-commentary that I thought was clever, but most of the insights were obvious and expected, and I just didn't think the film and set pieces were funny enough. I can see this having more of a cult following down the line or some ride-or-die fans, but I think most audiences will reject it. Funny enough, the thing that this film reminded me the most of was “Speed Racer”. Obviously a completely different tone and story, but a subversive take on IP that some people think is genius but was rejected by audiences. If I had to make a guess based on the cut I saw, the movie will make $50-65 million domestically, maybe less, depending on marketing and reviews.

I hope I just saw a Frankensteined family cut and that the finished film is much better. There is no point in having a weaker cut for kids who I don't think will like it at all.  But my gut says that the subversive cut will only be moderately better. If the reviews are strong I would be down to watch it again and see if the versions were very different. But as of now I have no desire to watch this film ever again. 

← Ridley Scott’s ‘Gladiator’ Sequel Adds Pedro PascalI Can’t Keep Up With All These ‘Fantastic Four’ Rumors … →

FOLLOW US!

Newsletter Block
This newsletter signup form needs a storage option. Edit the block and enter a storage location via the Storage tab.

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_9738.jpeg
CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

Read more →
IMG_9642.jpeg
Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

Read more →
IMG_9603.jpeg
Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

Read more →
IMG_9478.jpeg
Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026