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Cannes Schedule Pops Up; ‘Killers of the Flower Moon’ on May 20th

May 6, 2023 Jordan Ruimy

The schedule for the 76th Cannes Film Festival is taking shape. Most titles have been given spots on the 11-day calendar.

I won’t note every single movie in the below calendar. What I have added are all the competition directors and the key out-of-competitions.

5/17 Catherine Corsini/Hirokazu Kore-Eda
5/18 Bing Wang/James Mangold
5/19 Jonathan Glazer/Nuri Bilge Ceylan/Ben Hania
5/20 Ramata Sy/Martin Scorsese/Todd Haynes
5/21 Justine Triet/Karim Ainouz
5/22 Aki Kaurismaki/Jessica Hausner
5/23 Marco Bellocchio/Wes Anderson
5/24 Anh Hung Tran/Nanni Moretti
5/25 Wim Wenders/Catherine Breillat
5/26 Alice Rohrwacher/Ken Loach

For most readers, May 20th is the key date. That’s when Scorsese’s “Killers of the Flower Moon” will screen at 7pm. Todd Haynes’ “May/December” will follow on that same day at 11pm — it’s practically a midnight movie at this point.

The competition ends on the final day with Rohrwacher’s “La Chimera” and Ken Loach’s “The Old Oak.” I might have to extend my trip by a day to watch these two.

Glazer’s “The Zone of Interest” screens on May 19th and that’s going to be another challenging day with Ben Hania’s docu-fiction film and Ceylan’s 197-minute “On Barren Weeds” also screening.

Cannes opens on May 16th with Maiwenn’s “Jeanne Du Barry.” I’ll be missing that one as I only land at Cannes on the morning of the 17th.

Competition runtimes:

Anatomy of a Crime: 151'
Asteroid City: 104'
Banel & Adama: 87'
Black Flies: 120'
Club Zero: 110'
Firebrand: 120'
A Brighter Tomorrow: 96'
Monster: 125'
Fallen Leaves: 81'
About Dry Grasses: 197'
Last Summer: 104'
La Chimera: 130'
La Passion de Dodin Bouffant: 145'
Le Retour: 110'
Four Daughters: 107'
May December: 113'
Perfect Days: 123'
Youth (Spring): 212'
Kidnapped: 125'
The Old Oak: 113'
The Zone of Interest: 106'

Other runtimes:

Killers of the Flower Moon: 206'
Indiana Jones and the Dial of Destiny: 154'
Occupied City: 262'
Eureka: 146’

← First Image and Plot Details for Jonathan Glazer’s ‘The Zone of Interest’ …Richard Dreyfuss: Oscars’ Latest Diversity Rules “Make Me Vomit” →

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