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Ken Russell’s ‘The Devils’ Gets NC-17 Rating for Uncut 4K Restoration Coming to Theaters

Clockwork announced that “The Devils” has been rated NC-17 by the MPA, which, as far as I’m concerned, is basically free marketing. Much of the audience anticipating this release was hoping for this rating.

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First Look: Andrew Haigh’s ‘A Long Winter’ to Screen at Telluride, TIFF and NYFF — Follow-Up to ‘All of Us Strangers’

For Haigh, the film feels like an “endpoint” in his career so far. Shot on film with DP André Turpin, “A Long Winter” was filmed in the Calgary wilderness, the same area used for “The Revenant.”

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Jacob Elordi Joins Ari Aster’s ‘Scapegoat’ Opposite Scarlett Johansson at A24

Jacob Elordi is set to co-star opposite Scarlett Johansson in “Scapegoat,” the upcoming thriller from Ari Aster, who is directing from his own script. A24, which has released his past four films, will distribute.

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Alfonso Cuarón Returns to TV With Horror Thriller ‘Ascension’ at Apple — Hasn’t Directed A Movie in Eight Years

The good news is that Cuarón is only writing “Ascension,” meaning he won’t be tied up with directing duties and should still have room in his schedule for a long-awaited return to cinema.

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LOL: ‘Magic Mike XXL’ Named Greatest Sequel of All-Time by IndieWire

Cue the ragebait — which is precisely what IndieWire intended when putting together their list of the 100 Best Sequels Ever Made, published this morning.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Flash’ Director Wants Ezra Miller Back for the Sequel

May 30, 2023 Jordan Ruimy

On 02.27.23 I reported that Warner Bros were planning to keep Ezra Miller as The Flash for further sequels. I wrote:

Miller’s mental health recovery is going well and they think his days of serial criminal activity are behind him.

Andy Muschietti’s “The Flash” will be released next month. It already screened at CinemaCon in April, with people praising Miller’s performance in the film. However, the the actor’s legal troubles have made many wonder if he’ll stick around for more ‘Flash’ movies.

Well, if director Andy Muschietti has anything to say about it, then Miller is here to stay as Barry Allen, aka the Flash.

There wasn’t any doubt in my mind that he would.

In an upcoming episode of The Discourse podcast, Muschietti raves about Miller’s performance. The filmmaker believes that there isn’t anyone else who can take over the role and do a better job. In fact, if there ever is a sequel, he absolutely wants him back.

If [a sequel] happens, yes. I don’t think there’s anyone that can play that character as well as they did. The other depictions of the character are great, but this particular vision of the character, they just excelled in doing it. And, as you said, the two Barrys – it feels like a character that was made for them.

In principal photography, Ezra was brilliant and the most committed and the most professional [actor]. Ezra gave everything for this role – physically, creatively, emotionally. They were absolutely supreme.

Warner Bros co-chairperson Mike DeLuca recently told Vulture that Miller may sit out promotional duties on the film because “in a weird way, it’s not a PR-driven film. So we don’t necessarily have to put Ezra out in front” … Sure, Jan.

I don’t think I’ve ever heard this excuse before for a big superhero blockbuster. Our star, the main hero, doesn’t have to do press, it’s not needed, no PR will benefit this film one bit.

We know the hidden message behind DeLuca’s recent comments. Warner Bros is trying to hide Miller. There’s nothing more to it. They want to let the movie speak for itself, that’s all fine and dandy, but it’s a total lie that “The Flash” is not a “PR-driven film.”

Then again, do you blame them? Miller had quite the summer last year, assaulting people around the world, left and right, but, supposedly, that doesn’t seem to matter much to Warner Bros, as it shouldn’t, especially if the movie is this good. Audiences won’t care either.

Miller’s summer “adventures” are too many to list in just one article, but here goes: he choked a woman, was accused of grooming children, was arrested multiple times for punching people, committed armed robbery, oh, and he reportedly, and illegally, housed a mother and three young children on an unlicensed cannabis farm.

Basically, Miller saw what Armie Hammer, James Franco, Gina Carano, Louis CK and Will Smith had done and said “guys, hold my beer.”

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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